Lodge, M. (2016). [Review of A search for tradition & a search for a language by Douglas Lilburn]. Journal of Pacific and New Zealand Studies, 4(1), 103-105. doi:10.1386/nzps.4.1.71_5 Open Access version: hdl:10289/10556
Lodge, M. (2016). Ahunga [for taonga puroro, piano, violin and cello (7min30)]. Te Whare Tapere Iti, Gallagher Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.
Lodge, M. (2016). Omanu [for solo cello (7mins)]. Waikato International Cello Festival, Gallagher Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.
Lodge, M. V. (2015). Martin Lodge: Works for cello solo and duo (2001-2011) [Solo cello, two cellos (22:15mins)]. Wellington, New Zealand: Promethean Editions Limited.
Lodge, M. V. (2015). Tauhara - mountain [Composition for alto saxophone and classical guitar]. Laveck Concert Series, Pulaski Congregational Church, Pulaski, New York.
Lodge, M. V. (2015). Enigmatic bagatelle no. 1 [Composition for Clarinet and piano]. Dr John Gallagher Concert Chamber, Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.
Lodge, M. (2015). Music historiography as a braided river: The case of New Zealand. In V. Kurkela, & M. Mantere (Eds.), Critical Music Historiography: Probing Canons, Ideologies and Institutions (pp. 95-106). Ashgate Publishing, Ltd..
Lodge, M. (2015). Summer of Euphony. In J. Shennan, G. Whitehead, & S. Askew (Eds.), Jack! Celebrating Jack Body, Composer (pp. 82-84). Wellington, New Zealand: Steele Roberts. Open Access version: hdl:10289/9456
Lodge, M. V. (2014). Processional fanfare [for brass quintet and percussion (4 mins)]. Te Kohinga Marama Marae, University of Waikato.
Lodge, M. (2014). Intersections and the creation of tradition in New Zealand music. In 20th Annual Conference of the New Zealand Studies Association: Across the Pacific. Conference held at Oslo, Norway.
Whalley, I. (2016). New Zealand electroacoustic music: Ruptures and digital networks. In New Zealand Musicological Society Annual Conference: Contemporary and Future Paths in Music Performance, Composition and Analysis. Conference held at University of Waikato, Hamilton, New Zealand.
Whalley, I. (2016). Exploring internet environments in sound arts. In Proceedings of the Annual Conference of the Australasian Computer Music Association: Sonic Environments ACMC 2016 (pp. 106). Conference held at Griffith University, Brisbane, Australia: The Australasian Computer Music Association.
Whalley, I. (2016). [Keynote] Broadening telematic electroacoustic music. In Australasian Computer Music Association (ACMC 2016): Sonic Environments. Conference held at Griffith University, Brisbane, Australia.
Whalley, I. (2015). Developing telematic electroacoustic music: Complex networks, machine intelligence and affective data stream sonification. Organised Sound (Special Issue 01: Organised Sound Celebrates 20 Years), 20(01), 90-98. doi:10.1017/S1355771814000478
Whalley, I. (2014). GNMISS: A scoring system for Internet2 electroacoustic music. Organised Sound, 19(03), 244-259. doi:10.1017/S1355771814000235
Wyse, L., & Whalley, I. (2014). Editorial. Organised Sound, 19(03), 213-214. doi:10.1017/S1355771814000193
Whalley, I. H. (2014). SymbolAct (2012) – 10′08″. Organised Sound 19/3: Sound and movie examples [DVD]. 121212 6th Annual UpStage Festival of Cyberperformance. Christchurch, New Zealand; Wellington, New Zealand; Buenos Aires, Argentina; Oslo, Norway; Munich, Germany; Pancevo, Serbia;Montpellier, France; Eindhoven, Netherlands; Nantes, France; Holstebro, Denmark; Linz, Austria; Exeter, UK – recorded live 5–12 December 2012. Performers: Ian Whalley – wind synthesizer, iPads, foot controllers, synthesizer programming (Hamilton, New Zealand); Ivan Zavada – violin (Sydney, Australia): Cambridge University Press. Retrieved from http://journals.cambridge.org/OSO
Wyse, L., & Whalley, I. H. (2014). [Editors] Special Issue: Mediation: Notation and Communication in Electroacoustic Music Performance. Organised Sound, 19(03), 213-317. doi:10.1017/S1355771814000338
Whalley, I. H. (2014). Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification. In A. Georgaki, & G. Kouroupetroglou (Eds.), Proceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conference Vol. 1 (pp. 301-307). Conference held at Athens, Greece: National and Kapodistrian University of Athens.
Whalley, I. (2014). [Review of The Oxford Handbook of Computer Music by D. Roger (ed)]. Organised Sound: An International Journal of Music and Technology, 19(2), 203-207. doi:10.1017/S1355771814000144
Williams, M. F. (2015). Cohesion and Eclecticism Composition Portfolio: Volume1: The Juniper Passion: Volume 2: Triple Concerto: Volume 3: Achieving cohesion and concinnity within an eclectic/polystylistic framework. (PhD Thesis, Melbourne Conservatorium of Music, University of Melbourne, Australia).
Williams, M. F., Chiappinelli, M., & Orlandi, B. (2015). Matéria [piece for piano and soprano saxophone]. Open Access version: hdl:10289/9880
Williams, M. F. (2015). Sympony no. 1: Letters from the front [Symphony for orchestra, soprano solo and narrator (35')]. Performed by New Zealand Symphony Orchestra, Michael Fowler Centre and Auckland Town Hall, New Zealand and performed by the Sydney Symphony Orchestra, Sydney Opera House, Australia: Australasian Performing Rights Association (APRA).
Williams, M. F., Bae, J., De Santis, L., & Minci, A. (2014). The future is not war (L'avvenire non è la guerra) [piece for soprano, violins, guitar and violoncello]. Cassino, Italy.
Williams, M. F., & Davies, J. G. (2013). The Juniper Passion [Performance]. Cassino, Italy.
Williams, M. F., & Davies, J. G. (2011). CD - The Juniper Passion [WWII Opera]. Auckland, New Zealand. Retrieved from http://www.michaelfwilliams.co.nz/file/MP3/The-Juniper-Passion-Prelude.mp3
Williams, M. F. (2011). Dances Mercurial [String Quartet]. WEL Energy Trust Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.
Williams, M. F. (2011). When we Fell [for flute with digital effects and backing track]. Dr John Gallagher Concert Chamber, Academy of Performing Arts, University of Waikato, Hamilton: Atoll CD Ltd. Retrieved from http://www.flutefocus.com/493-adrianna-lis-debut-cd.html
Williams, M. F. (2011). Passacaglia [Composition for Piano Trio]. WEL Energy Trust Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.
Williams, M. F. (2010). Kala Danda [for amplified alto flute with backing track]. Academy of Performing Arts, University of Waikato, Hamilton, New Zealand [5 minutes]: Atoll CD Ltd. Retrieved from http://www.atollcd.com/catalog_detail/acd111-breathe-dowdall.htm