Breadcrumbs

Recent Publications

David Griffiths

Martin Lodge

  • Lodge, M. (2016). [Review of A search for tradition & a search for a language by Douglas Lilburn]. Journal of Pacific and New Zealand Studies, 4(1), 103-105. doi:10.1386/nzps.4.1.71_5 Open Access version: hdl:10289/10556

  • Lodge, M. (2016). Ahunga [for taonga puroro, piano, violin and cello (7min30)]. Te Whare Tapere Iti, Gallagher Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.

  • Lodge, M. (2016). Omanu [for solo cello (7mins)]. Waikato International Cello Festival, Gallagher Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.

  • Lodge, M. V. (2015). Martin Lodge: Works for cello solo and duo (2001-2011) [Solo cello, two cellos (22:15mins)]. Wellington, New Zealand: Promethean Editions Limited.

  • Lodge, M. V. (2015). Tauhara - mountain [Composition for alto saxophone and classical guitar]. Laveck Concert Series, Pulaski Congregational Church, Pulaski, New York.

  • Lodge, M. V. (2015). Enigmatic bagatelle no. 1 [Composition for Clarinet and piano]. Dr John Gallagher Concert Chamber, Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.

  • Lodge, M. (2015). Music historiography as a braided river: The case of New Zealand. In V. Kurkela, & M. Mantere (Eds.), Critical Music Historiography: Probing Canons, Ideologies and Institutions (pp. 95-106). Ashgate Publishing, Ltd..

  • Lodge, M. (2015). Summer of Euphony. In J. Shennan, G. Whitehead, & S. Askew (Eds.), Jack! Celebrating Jack Body, Composer (pp. 82-84). Wellington, New Zealand: Steele Roberts. Open Access version: hdl:10289/9456

  • Lodge, M. V. (2014). Processional fanfare [for brass quintet and percussion (4 mins)]. Te Kohinga Marama Marae, University of Waikato.

  • Lodge, M. (2014). Intersections and the creation of tradition in New Zealand music. In 20th Annual Conference of the New Zealand Studies Association: Across the Pacific. Conference held at Oslo, Norway.

Ian Whalley

  • Whalley, I. (2016). New Zealand electroacoustic music: Ruptures and digital networks. In New Zealand Musicological Society Annual Conference: Contemporary and Future Paths in Music Performance, Composition and Analysis. Conference held at University of Waikato, Hamilton, New Zealand.

  • Whalley, I. (2016). Exploring internet environments in sound arts. In Proceedings of the Annual Conference of the Australasian Computer Music Association: Sonic Environments ACMC 2016 (pp. 106). Conference held at Griffith University, Brisbane, Australia: The Australasian Computer Music Association.

  • Whalley, I. (2016). [Keynote] Broadening telematic electroacoustic music. In Australasian Computer Music Association (ACMC 2016): Sonic Environments. Conference held at Griffith University, Brisbane, Australia.

  • Whalley, I. (2015). Developing telematic electroacoustic music: Complex networks, machine intelligence and affective data stream sonification. Organised Sound (Special Issue 01: Organised Sound Celebrates 20 Years), 20(01), 90-98. doi:10.1017/S1355771814000478

  • Whalley, I. (2014). GNMISS: A scoring system for Internet2 electroacoustic music. Organised Sound, 19(03), 244-259. doi:10.1017/S1355771814000235

  • Wyse, L., & Whalley, I. (2014). Editorial. Organised Sound, 19(03), 213-214. doi:10.1017/S1355771814000193

  • Whalley, I. H. (2014). SymbolAct (2012) – 10′08″. Organised Sound 19/3: Sound and movie examples [DVD]. 121212 6th Annual UpStage Festival of Cyberperformance. Christchurch, New Zealand; Wellington, New Zealand; Buenos Aires, Argentina; Oslo, Norway; Munich, Germany; Pancevo, Serbia;Montpellier, France; Eindhoven, Netherlands; Nantes, France; Holstebro, Denmark; Linz, Austria; Exeter, UK – recorded live 5–12 December 2012. Performers: Ian Whalley – wind synthesizer, iPads, foot controllers, synthesizer programming (Hamilton, New Zealand); Ivan Zavada – violin (Sydney, Australia): Cambridge University Press. Retrieved from http://journals.cambridge.org/OSO

  • Wyse, L., & Whalley, I. H. (2014). [Editors] Special Issue: Mediation: Notation and Communication in Electroacoustic Music Performance. Organised Sound, 19(03), 213-317. doi:10.1017/S1355771814000338

  • Whalley, I. H. (2014). Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification. In A. Georgaki, & G. Kouroupetroglou (Eds.), Proceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conference Vol. 1 (pp. 301-307). Conference held at Athens, Greece: National and Kapodistrian University of Athens.

  • Whalley, I. (2014). [Review of The Oxford Handbook of Computer Music by D. Roger (ed)]. Organised Sound: An International Journal of Music and Technology, 19(2), 203-207. doi:10.1017/S1355771814000144

Mike Williams

  • Williams, M. F. (2015). Cohesion and Eclecticism Composition Portfolio: Volume1: The Juniper Passion: Volume 2: Triple Concerto: Volume 3: Achieving cohesion and concinnity within an eclectic/polystylistic framework. (PhD Thesis, Melbourne Conservatorium of Music, University of Melbourne, Australia).

  • Williams, M. F., Chiappinelli, M., & Orlandi, B. (2015). Matéria [piece for piano and soprano saxophone]. Open Access version: hdl:10289/9880

  • Williams, M. F. (2015). Sympony no. 1: Letters from the front [Symphony for orchestra, soprano solo and narrator (35')]. Performed by New Zealand Symphony Orchestra, Michael Fowler Centre and Auckland Town Hall, New Zealand and performed by the Sydney Symphony Orchestra, Sydney Opera House, Australia: Australasian Performing Rights Association (APRA).

  • Williams, M. F., Bae, J., De Santis, L., & Minci, A. (2014). The future is not war (L'avvenire non è la guerra) [piece for soprano, violins, guitar and violoncello]. Cassino, Italy.

  • Williams, M. F., & Davies, J. G. (2013). The Juniper Passion [Performance]. Cassino, Italy.

  • Williams, M. F., & Davies, J. G. (2011). CD - The Juniper Passion [WWII Opera]. Auckland, New Zealand. Retrieved from http://www.michaelfwilliams.co.nz/file/MP3/The-Juniper-Passion-Prelude.mp3

  • Williams, M. F. (2011). Dances Mercurial [String Quartet]. WEL Energy Trust Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.

  • Williams, M. F. (2011). When we Fell [for flute with digital effects and backing track]. Dr John Gallagher Concert Chamber, Academy of Performing Arts, University of Waikato, Hamilton: Atoll CD Ltd. Retrieved from http://www.flutefocus.com/493-adrianna-lis-debut-cd.html

  • Williams, M. F. (2011). Passacaglia [Composition for Piano Trio]. WEL Energy Trust Academy of Performing Arts, University of Waikato, Hamilton, New Zealand.

  • Williams, M. F. (2010). Kala Danda [for amplified alto flute with backing track]. Academy of Performing Arts, University of Waikato, Hamilton, New Zealand [5 minutes]: Atoll CD Ltd. Retrieved from http://www.atollcd.com/catalog_detail/acd111-breathe-dowdall.htm