- Agozino, Biko,
'The Third Debt to the Third World: The Politics of Law and Order in
"Camp de Thiaroye"', n36, Autumn 1996, 3-13: analysis of Senegalese
director Sembene Ousmane's film
- Agozino, Biko,
'The Globalisation of Apartheid: Representing Power', n42, Spring 1998,
95-8: on 'New Art from South Africa' exhibition
- Ahmad, Ali Nobil,
'Whose Underground? Asian Cool and the Poverty of "Hybridity"', n54,
Spring 2001, 71-84, critique of hall, Bhabha and Gilroy from Britush
Asian youth perspective
- Ahmad, Ali Nobil
, 'Ali G – Just Who Do We Think He Is? A Response to
Rachel Garfield' n56, Autumn 2001, 79-81; forum response to essay in
n54.
- Akudinobi, Jude
G, 'African Cinema and the Question of Meaning: An Interview with Jean-Pierre
Bekolo', n48, Autumn 1999, 71-80: on the Cameroonian film and video
maker.
- Alcazar, Josefina,
'The Alchemy of Time', n27, Summer 1994, 3-6: cleaning Michelangelo's
Sistine Chapel
- Alves, Maria
Thereza, 'Utopia: A Photo-Text', n21, Winter 1992/93, 42-45: Brazilian
artist's phototext on European constructions of Brazil
- Alves, Maria
Thereza, 'Viva-fying the Other', n26, Spring 1994, 110-112: review of
Radcliffe and Westwood collection on women and popular protest in Latin
America
- Amor, Monica,
'Cartographies: Exploring the Limitations of a Curatorial Paradigm',
n28/9, Autumn/Winter 1994, 185-90: review of group show of Latin American
artists
- Amor, Monica,
'Felix Gonzalez-Torres 1957-1996', n33, Winter 1995-6, 93: obituary
for the Cuban American artist
- Amor, Monica,
'Felix Gonzalez-Torres: Towards a Postmodern Sublimity', n30, Spring
1995, 67-78: appreciation of the Cuban American installation artist
- Amor, Monica,
'documenta X: Reclaiming the Political Project of the Avant-garde',
n40, Autumn 1997, 95-100: review
- Amor, Monica,
'Dis-mapping America: Miguel Angel Rios' Maps', n34, Spring 1996, 23-36:
cartographic ideologies in the work of Argentinian artist
- Anatsui. El,
'"Sankofa: Go Back an' Pick"" Three Studio Notes and a Conversation',
n23, Summer 1993, 39-52: Ghanaian artist in conversation with Olu Oguibe
- Anderson, Paul
A, 'David Diao: Critical painting and the Racial Sublime', n33, Winter
1995-6, 41-50: the Chinese American artist and Zizek on lacan and the
Sublime
- Andreoli, Elisabetta,
'Lina Bo Bardi: The Anthopological Gaze', n28/9, Autumn/Winter 1994,
87-99: social and aesthetic issues in work of the Brazilian Italian
architect
- Andreoli, Elisabetta,
'2nd International Bienal of Architecture, Sao Paulo, Brazil', n26,
Spring 1994, 107-9: social housing and restoration focus
- Andreoli, Elisabetta
and Layment Garcia do Santos, 'Public Art, Private City in the Three
"Art/City" exhibitions in Sao Paolo', n45, Winter 1998-99, 63-80:
The city of a city - Sao Paolo exhibitions miss the death of the coity
on their doorstep
- Andrews, Jorella,
'Easels and Amazons: "Amazons of the Avant-Garde"', n50, Spring 2000,
109-113: reveiw of Royal Academy exhibit of Soviet Russian women artists
- Andrews, Jorella,
'Telling Tales: Five Contemporary Women Artists from India', n43, Summer
1998, 81-9: Ayisha Abraham, Rummana Hussain, Anita Dube, Sheela Gowda
and Pushpamala N
- Araeen, Rasheed
and Eddie Chambers, 'Black Art: A Discussion', n5, Winter 1988/89, 50-77:
debating definitions of Black Art - covering aesthetics, audiences and
institutions among other topics.
- Araeen, Rasheed,
'Conversation with Aubrey Williams', n2, Winter 187/88, 25-52: interview
with Guyanese painter, his relation to pre-Colombian, especially Mayan
art, and his time in England.
- Araeen, Rasheed,
'Conversation with Avinash Chandra', n3/4, Spring/Summer 1988, 69-95:
Indian artist discusses his painting, abstraction and eroticism
- Araeen, Rasheed,
'Conversation with Kumiko Shimizu', n8/9, Autumn/Winter 1989, 183-190:
the architecural installations and sculptures of this Japanese woman
artist in Britain
- Araeen, Rasheed,
'Editorial', n14, Spring 1991, 3-4: intro to special issue on representation;
references Il Sud del Mondo exhibition
- Araeen, Rashid,
'Uzo Egonu 1931-1996', n36, Autumn 1996, 105-6: obituary tribute to
the Nigerian painter
- Araeen, Rasheed,
'From Primitivism to Ethnic Arts', n1, Autumn 1987, 6-25: critique of
the concept of difference as used in art discourses
- Araeen, Rasheed,
'Gravity and [Dis]Grace', n22, Spring 1993, 93-97: critical review of
60s and 70s sculpture show exclusions
- Araeen, Rasheed,
'How I Discovered my Oriental Soul in the Wilderness of the West', n18,
Spring 1992, 85-102: cultural identity and racism in Pakistani and British
contexts; also in Dutch
- Araeen, Rasheed,
'A New Beginning: Beyond Postcolonial Cultural Theory and Identity Politics',
n50, Spring 2000, 3-20: editorial statement on changing role of Third
Text
- Araeen, Rasheed,
'The Other Immigrant: The Experiences and Achievements of AfroAsian
Artists in the Metropolis', n15, Summer 1991, 17-28: highlights the
strugle of 'the Black immigrant artist'
- Araeen, Rasheed,
'Our Bauhaus, Others' Mudhous' n6, Spring 1989, 3-14: introduction to
special issue on Magiciens de la terre, criticising the exhibition as
anthropological, unhistorical and failing to address 'folk' art in Europe.
- Araeen, Rasheed,
'Re-Thinking History and Some Other Things n54, Spring 2001, 93-100,
the case for an archive of Black British Art.
- Araeen, Rasheed,
'Sleeping with the Enemy and Revising Postcolonial Theory' n56, Autumn
2001, 75-9; Forum essay responding to Chambers (n52), MacLean (n52)Devadas
and Nicholls (n52), Pieterse (n53) and Papastergiadis (n57)
- Arif, Saleem,
'Inferno Series', n8/9, Autumn/Winter 1989, 113-119: prints by Indian
British painter.
- Atagök,
Tomur and Susan Platt, 'The Digestible Other: The Istanbul Biennial',
n.55, Summer 2001, 103-9: review
- Avery, Trevor,
'The Map is Not the Territory', n40, Autumn 1997, 54-68:controversy
over Native American and Scottish Highlander art exhibition in Scotland
- Axel, Brian Keith,
'Disembodiment and the Total Body: A Response to Enwezor on Contemporary
South African Representation', n44, Autumn 1998, 3-16: reply to Okwui
Enwezor in issue 40, especially the concept of the body politic
- Azizov, Zeigam,
'Camouflage: The Visible and the Invisible' n57, Winter 2001-02, 96-8;
review of group show at Nehru Centre, London.
- Back, Les and
Vibeke Quaade, 'Dream Utopias, Nightmare Realities: Imaging Race and
Culture within the World of Benetton Advertising', n22, Spring 1993,
65-80: ideological issues in the 'United Colours' campaign
- Baddeley, Oriana,
'Nostalgia for a New World', n21, Winter 1992/93, 29-34: Columbus, Victor
Serge and Wilfredo Lam on geographical definitions of cultural identity
- Bailey, David
A.,'Photographic Amateur: The Photographs of Rotimi Fani-Kayode in Relation
to Black Photographic Practices', n13, Winter 1990/91, 57-62: the work
of the Nigerian photographer in terms of postmodern identities
- Bailey, David
and Sonia Boyce, ''The Living Archive papers: An Introduction', n54,
Spring 2001, 87-8, the case for an archive of Black British Art. See
also Stuart Hall, Rasheed Araeen, Amina Dickerson and Guy Brett in this
issue
- Bandaranayake,
Senake, 'Ivan Peries: (Paintings 1939-1969) - The predicament of the
bourgeois artist in the societies of the Third World', n2, Winter 187/88,
76-92: a short introduction to Sri Lankan artist Peries, accompanied
by obituary by Rasheed Araeen
- Barber, Fionna,
'Territories of Difference: Irish Women Artists in Biain', n27, Summer
1994, 65-75: focussing on Anne Tallentire, Frances Heggarty and Christine
O'Leary
- Barme, Geremie
R, 'Archaeo-tainment: Fantasy at the Other End of History', n30, Spring
1995, 29-38: orientalism and archaism in Las Vegas
- Barme, Geremie
R, 'Exploit, Export, Expropriate: Artful mareting in China, 1989-93',
n25, Winter 1993-94, 67-76: political and institutional contexts of
contemporary Chinese art
- Barnett, Pennina,
'Rugs R Us (and Them): The Oriental Carpet as Sign and Text', n30, Spring
1995, 13-28: orientalism in carpet advertising and collecting; use of
textiles in anti-colonial art
- Barnett, Pennina,
'Borderline: L'art des femmes berberes', n.53, Autumn 2000, 96-100;
weaving and textiles by Berber women of Tunisia and Morocco
- Bartra, Roger,
'Discovering the European Wild Man', n21, Winter 1992/93, 1-24: the
myth of the wild man as root of colonialist myth of 'savages'
- Bartra, Robert,
'Mexican Oficio: The Miseries and Splendors of Culture', n14, Spring
1991, 7-15 (trans Coco Fusco): Official culture and national identity
- Bate, David,
'Photography and the Colonial Vision', n22, Spring 1993, 81-91: orientalist
masquerade in the work of Hil and Adamson and their 19th century contemporaries
- Bate, David,
'Train a Child up in the Way He Should Go', n10, Spring 1990, 53-59:
case study of colonial discourse in Mulready's 19th century painting
- Battista, Kathy,
'Mary Kelly – Mea Culpa' n56, Autumn 2001, 83-86; on
the US woman installation artist
- Beaulieu, Jill,
'Re-Viewing Orientalism', n43, Summer 1998, 98-100: reviewing 'Orientalism:
From Delacroix to Klee'
- Becquer, Marcos
and Jose Gatti, 'Elements of Vogue', n16/17, Autumn/Winter 1991, 65-81:
African and Hispanic American gay dance craze in film and video
- Beier, Ulli,
'The Right to Claim the World: Conversation with Ibrahim El Salahi',
n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England
and Germany
- Beith, Mary,
'River Deep, Mountain High', n41, Winter 1997/98, 99-100: review of
exhibition of Native American and Scottish Highland artists (cf Avery,
Trevor, 'The Map is Not the Territory', n40)
- Belcher, Wendy,
'After the Freedom: Post-War Cultural Production and National Identity
in Eritrea', n50, Spring 2000, 87-98: account of art and culture after
war with Ethiopia
- Bell, Lynn, 'History
of People who were not Heroes: A Conversation with Maria Magdalena Campos-Pons',
n43, Summer 1998, 33-42: installation work of the Cuban and US woman
artist
- Beller, Jonathan
L, 'Directing the Real: Orapronobis and Phillippine Totalitarianism
(2000)', n45, Winter 1998-99, 3-22: on the film by Lina Brocka
- Berelowitz, Jo-Anne,
'Conflict over "Border Art": Whose subject, whose border, whose show?',
n40, Autumn 1997, 69-83: conflict in San Diego over La Frontera exhibition
of artist Latino artists working across the Mexico - US border
- Berg, Stephen,
'An Introduction to Oswald de Andrade's Cannibalist Manifesto',
n46, Spring 1999, 89-91: introducing translaton of de Andrade (qv)
- Bey, Dawoud,
'In the Spirit of "Minkisi": The Art of David Hammons', n27, Summer
1994, 45-54: on the African American sculptor and installation artist
- Bharucha, Rustom,
'Around Ayodhya: Aberrations, Enigmas and Moments of Violence', n24,
Autumn 1993, 45-58: meditation on communal violence, in relation to
film work by harun Farcki and Anand Patwardhan.
- Bharucha, Rustom,
'Beyond the Box: Problematising the "New Asian Museum"', n52, Autumn
2000, 11-19; contestring the concepts of 'Asia' and heritage
- Bharucha, Rustom,
'Dismantling Men: Crisis of Male Identity in "Father, Son and Holy War"',
n33, Winter 1995-6, 3-16: criticism of film on masculinity and communalism
by Indian film maker Anand Patwardhan
- Bharucha, Rustom,
'Interculturalism and its Discriminations: Shifting the Agendas of the
National the Multicultural and the Global', n46, Spring 1999,
3-24.
- Bharucha, Rustom,
'The Rushdie Affair: Secular Bigotry and the Ambivalence of Faith' n11,
Summer 1990, 61-69: the contradictions of secularism and the sacred,
especially in India
- Bharucha, Rustom,
'Somebody's Other: Disorientations in the Cultural Politics of our Times',
n26, Spring 1994, 3-10: interculturalism and communalism, with regard
to theatre.
- Bharucha, Rustom,
'When "Eternal India" Meets the YPO: Fifty Years of Independence', n39,
Summer 1997, 39-58: Folk festivals, cultural tourism, communalism and
the Young Presidents Organisation
- Bhattacharyya,
Gargi and John Gabriel, 'Gurinder Chadha and the Apna Generation: Black
British Film in the 1990s', n27, Summer 1994, 55-63: the British Asian
director of "Bhaji on the Beach"
- Bhimji, Zarina,
'She Loved to Breathe Pure Silence', n3/4, Spring/Summer 1988, 96-104:
phototext from an installation exploring her Indian and Ugandan backgrounds
and English experience
- Biggs, Bryan,
'DAK'ART 96', n36, Autumn 1996, 83-6: review and analysis of the second
Senegalese biennale of contemporary African art
- Blakey, Richard,
'"Marie-Jo Lafontaine" and those who would seek to know, to fix and
to hold that which is not', n12, Autumn 1990, 41-58: critique of Modernist
representation in photographic work of the belgian artist.
- Borsa, Joan,
'Frida Kahlo: Marginalization and the Critical Female Subject', n12,
Autumn 1990, 21-40: the politics of location in the work of the Mexican
painter
- Boullata, Kamal,
'Facing the Forest: Israeli and Palestinian Artists'' n7, Summer 1989,
77-95: istorical account of co-creations by Jews and Palestinians, including
trilingual peace treaty by the Israeliand Palestinian Writers, Artists
and Academics Committee.
- Bourgois, Geert
Gabriel, 'Gauguin revisited with a Vengeance: Gian Paolo Barbieri's
Tahiti Tattoos', n44, Autumn 1998, 109-111: homoerotic orientalism
of Italian photographer exposed
- Bowling, Frank,
'Formalist Art and the Black Experience', n5, Winter 1988/89, 78-82:
Guyanese painter working in Britain and US argues that experience is
not communicated by picturing but by more subtle means
- Bohm-Duchen,
Monica, 'The Stranger Within the Gates', n15, Summer 1991, 11-15: Jewish
experience i 20th century British art
- Boyce, Sonia,
'Sonia Boyce in conversation with John Roberts', n1, Autumn 1987, 55-64:
Black British artist discusses her influences and relation to other
Black artists.
- Boyce, Sonia
with David Bailey, ''The Living Archive papers: An Introduction', n54,
Spring 2001, 87-8, the case for an archive of Black British Art.
- Brazil, Jon, 'Being
Lost and the Nearness of Being Found: Deborah Cheetham's White Baptist
Abba Fan', n44, Autumn 1998, 99 -101: on the lesbian Aboriginal Australian
woman performance artist
- Brazil, Jon ,
'Dreamtime Superstore: Encountering Ausdtralian Aboriginal Beliefs',
n50, Spring 2000, 61-72: critique of anthroplogical accounts
- Breitz, Candice,
'The First Johannesburg Biennale: Work in Progress', n31, Summer 1995,
89-94: review essay
- Brett, Guy, 'David
Medalla: From Biokineticism to Synpotic Realism', n8/9, Autumn/Winter
1989, 79-106: account of Phillipino painter, mixed media and installation
artist
- Brett, Guy, 'Earth
and Museum - Local and Global?' n6, Spring 1989, 89-96: installation
work by Elio Oiticica, Susan Hiller and David Medalla propose conflict,
not the 'dubious unity' of Magiciens de la terre
- Brett, Guy, 'The
Limits of Imperviousness', n18, Spring 1992, 51-64: Eurocentrism in
British cultural identity; also in Dutch
- Brett, Guy, 'Li
Yuan-chia 1929-1994', n28/9, Autumn/Winter 1994, 3-4: obituary of British
Chinese sculptor and graphic artist
- Brett, Guy, 'Lygia
Clark: The Borderline between Art and Life', n1, Autumn 1987, 65-94:
analytical survey of works by Brazilian performance artist and sculptor,
especially her interest in the real and the imaginary.
- Brett, Guy, 'Venice,
Paris, Kassel, Sao Paulo and Habana', n20, Autumn 1992, 13-22: significance
of the Cuban biennial; also in Spanish
- Brett, Guy, 'The
Sixties Art Scene in London', n23, Summer 1993, 121-123: critique of
omissions from 60s London art retrospective; accompanied by CARA statement
on the show, 'Whites Only'.
- Brett, Guy, 'A
Tragic Excitement: The Work of Aubrey Williams', n48, Autumn 1999, 29-44:
on the Guyana-born, London-based painter 1926-1990 reprinted from the
Whitechapel catalogue.
- Brett, Guy, 'Qualities
of Interaction n54, Spring 2001, 107-110, the case for an archive of
Black British Art.
- Brighton, Andrew,
'East International', n33, Winter 1995-6, 101-3: review of open submission
show
- Brooks, Frederica,
'"Gods and Demi-Gods": Godfried Donkor', n26, Spring 1994, 97-98: football
iconography in Brixton
- Brown, Timothy
Paul, 'Black radical feminism and the Reclamation of Identity', n.55,
Summer 2001, 43-50: with special reference to Toni Morrison, Beloved.
- Buchloh, Benjamin
H.D. and Jean-Hubert Martin, 'Interview' n6, Spring 1989, 19-27: art
historian quizzes curator of Magiciens de la terre on ethnocentrism
- Budney, Jen,
'Who's fort it? The Second Johannesberg Biennale', n42, Spring 1998,
88-94.
- Burman, Chila
Kumari, 'Ask How I Feel/ Automatic Rap/ My New Work', n19, Summer 1992,
79-86: autobiography and identity in texts and photography by British
Indian artist
- Butt, Gavin and
Jon Cairns, 'The Art of Trailing: work - seth/tallentire's Dublin',
n48, Autumn 1999, 81-8: site specific performance by Irish collaborators
John Seth and Anne Tallentire (http://www.project.ie)
- Byrne, John,
'Cybersublime: Representing the Unrepresentable in Digital Art and Politics', n47, Summer
1999, 27-38: theories of the sublime in the context of Kurdish satellite
television MED-TV
- Byrne, John,
'Life Science: Ars Electronica 99', n49, Winter 1999-2000, 93-97: review
of bio-technology themed digital media arts exhibition
- Cain, Deborah,
'Toying with Totem?' n56, Autumn 2001, 19-24; critique of the word totem
with special reference to New Zealand and Maori
- Cameron, Dan,
'Ante America', n26, Spring 1994, 94-96: institutional context of group
show of Latin American contemporaries
- Camnitzer, Luis,
'Absalon', n31, Summer 1995, 101-4: obituary appreciation of the Israeli
artist
- Camnitzer, Luis,
'Ana Mendieta' n7, Summer 1989, 47-52: reclaiming the performance art
of exiled Cuban woman artist working at the time of her death in the
US
- Camnitzer, Luis,
'The Art of Democracy', n27, Summer 1994, 109-111: review of Russian
artists Komar and Melamid's 'America's Most Favourite'
- Camnitzer, Luis,
'Art, Politics and the Evil Eye', n20, Autumn 1992, 69-75: problems
of formalism and politics in latin American art by Urugayan artist and
critic
- Camnitzer, Luis,
'The Fifth Biennial of Havana', n28/9, Autumn/Winter 1994, 147-154:
review essay
- Camnitzer, Luis,
'Marvel Entertainment Group Presents . . . ', n26, Spring 1994, 99-101:
Marvel comics sponsor Lichtenstein at the Guggenheim
- Camnitzer, Luis,
'Pedro Figari', n16/17, Autumn/Winter 1991, 83-100: Uruguayan painter
active in the 20s and 30s, in context of compatriots Torres Garcia and
Barradas.
- Camnitzer, Luis,
'Spanglish Art', n13, Winter 1990/91, 43-47: problems of colonialisation
and of the term 'Hispanic'
- Camnitzer, Luis,
'The Third Biennial of Havana', n10, Spring 1990, 79-93: review essay
on the Cuban international art festival
- Camnitzer, Luis,
'The Whitney Biennial', n23, Summer 1993, 128-130: relations between
salon art and political art
- Camnitzer, Luis,
'Absolut Relativity', n38, Spring 1997, 86-91: review of retrospective
of vodka advertisements
- Canclini, Nestor
Garcia, 'Remaking Passports: Visual Thought in the Debate on Multiculturalism',
n28/9, Autumn/Winter 1994, 139-146: local and gloabal in Latin American
art
- Carver, Antonia,
'In Visible Light', n41, Winter 1997/98, 89-92: review of ehibition
on photographic archives and their use as a medium for art
- Cassell. Valerie,
'Convergence: Image and Dialogue -- Conversations with Alexander 'Skunder'
Boghossian', n23, Summer 1993, 53-68: account of life and aesthetics
of peripatetic Ethiopian artist
- Çelik,
Zeynep, 'Colonial/Postcolonial Intersections: Lieux de mémoire
in Algiers', n49, Winter 1999-2000, 632-72: the use of architectural
and artistic 'places of memory' among contemporary Algerian intellectuals
- Chambers, Eddie,
'Black Art Now', n15, Summer 1991, 91-96: problems of definition; cf
Araeen and Chambers
- Chambers, Eddie,
'"Cold Comfort": Permindar Kaur', n36, Autumn 1996, 91-4: questions
of Sikh identity in review of British Asian woman installation artist
- Chambers, Eddie,
'Destruction of the NF', n5, Winter 1988/89, 45-49: early work by Black
British artist
- Chambers, Eddie,
'History and Identity', n15, Summer 1991, 63-70: exhibit of young Black
British artists curated by Chambers
- Chambers, Eddia,
'His catechism: The Art of Donald Rodney', n44, Autumn 1998, 43-54:
appreciation of the late Black British artist
- Chambers, Iain,
'Art After Humanism: A Comment on the margins', n52, Autumn 2000, 83-85;
forum responbse to Araeen's 'A New Beginning' in n50
- Chambers, Iain,
'Exposure, Abeyance and Dislocation: Some Comments on Benita Parry's
Discussion of Homi Bhabha's "The Location of Culture"', n31, Summer
1995, 108-110: reply to Parry in n28/29
- Chandler, Robin
M., 'Xenophobes, Visual terrorism and the African Subject', n35, Summer
1996, 15-28: racist iconography of African American 'memorabilia'
- 'Avinash Chandra
1931-1991', n16/17, Autumn/Winter 1991, 3-4: unsigned tribute to Indian
painter who died in Britain
- Checketts, Lynda,
'British Art in a Century of Immigration', n15, Summer 1991, 5-10: intro
to conference proceedings special issue
- Cheddie, Janice,
'Rita Keegan: Documents of Memory', n45, Winter 1998-99, 88-9: on the
African American woman installation artist
- Cisneros, Domingo,
'On the Trail . . .', n21, Winter 1992/93, 80-82: installation and texts
of Mexican canadian artist introduced by Diana Nemiroff
- Clarke, David,
'Between East and West: Negotiations with Tradition and Modernity in
Hong Kong Art', n28/9, Autumn/Winter 1994, 71-86:HK between colonialism
and nationalism
- Clarke, David,
'Para-Site Art Space: Installation and Cultural Identity in Hong Kong',
n50, Spring 2000, 73-86: contemporary art in Hong Kong from 1996
to the present including the reunification period
- Clifford, James,
'The Others: Beyond the "Salvage" Paradigm' n6, Spring 1989, 73-77:
the disturbance of Western collecting traditions in the collapse of
belief in unchanging cultures
- Claribel Cone,
'Donald Locke: From Pottery to Postmodernism', n8/9, Autumn/Winter 1989,
151-156: account of Guyanese British sculptor, especially 'The Room'
- Connor, Valerie,
'EV+A Expanded' n56, Autumn 2001, 86-92; review and administrative overview
of Limerick annual show of Irish art
- Coombes, Annie,
'The Art of Memory', n52, Autumn 2000, 45-52; the art of Palestinian,
Lebanese and other Arab women detainees in the Israeli camp at El Khiam
- Corby, Vanessa,
'Don't Look Back: Reading for Ellipses in the Discourse of Eva Hess[e]'
n57, Winter 2001-02, 31-42; on the US Jewish woman artist
- Cortright, Barbara,
'An Interview with Donald Locke', n8/9, Autumn/Winter 1989, 156-164:
interview with the Guyanese British sculptor
- Cousins, Jane,
'The Making of Zimbabwean Stone Sculpture', n13, Winter 1990/91, 31-42:
dialectics of tradition and innovation
- Coury, Ralph
M., 'The Persistence and Rehabilitation of Orientalism: The Case of
Paul Bowles', n39, Summer 1997, 67-75:on the North American novelist
- Craven, David,
'Clement Greenberg and the "Triumph" of Western Art', n25, Winter 1993-94,
3-9: Eurocentrism in the formation of the modernist canon
- Craven, David,
'The Latin American Origins of "Alternative Modernity"', n36, Autumn
1996, 29-44: modernismo as defined by Ruben Dario and links to Catalan
modernism
- Craven, David,
'Some Reflections on the Achievements of Third Text', n52, Autumn 2000,
88-90; forum response to Araeen's 'A New beginning' in n50
- Craven, David,
'The Visual Arts since the Cuban Revolution', n20, Autumn 1992, 76-102:
survey of politics and visual language; also in Spanish
- Craven, David,
'Postcolonial Modernism in the work of Diego Rivera and José
Carlos Mariátegui or New Light on a Neglected Relationship',
n54, Spring 2001, 3-16, relations between the Mexican muralist and the
Peruvian poet, thinker and socialist .
- Cresswell, Peter,
'Edna Manley, Sculptor: A National Treasure', n14, Spring 1991, 79-84:
appreciation of Jamaican sculptor
- Cresswell, Peter,
'"On the Island - Off the Island": A Question of Orientation', n27,
Summer 1994, 95-101: review of seven Jamaican artists in London.
- Crozier, Ralph,
'Nine Straws in the Wind', n31, Summer 1995, 97-101: reveiw of group
show by young Chinese women artists in Beijing
- Cubitt, Sean,
'Arabesques: Bashir Makhoul and the Unfinished Project of Modernism',
n25, Winter 1993-94, 43-50: paintings by Israeli Palestinian artist
- Cubitt, Sean,
'Beyond Destination Guha, Tania, 'Transition of Riches', n25, Winter
1993-94, 81-86: review 103-4: review of British Asian film and video
work
- Cubitt, Sean,
'Dispersed Visions: "About Place"', n32, Autumn 1995, 65-74: review
essay on group show of Recent Art of the Americas
- Cubitt, Sean,
'Going Native: Columbus, Liverpool, Identity and Memory', n21, Winter
1992/93, 106-120: survey of video, installation and painting, especially
Keith Piper, Shaheen Merali and Norman Lewis
- Cubitt, Sean,
'Orbis Tertius', n47,
Summer 1999, 3-10; introduction to special issue on digital electronic
media, internet and world wide web
- Cubitt, Sean,
'Keith Piper: After Resistance, Beyond Destiny', n47,
Summer 1999, 77-86: on the Black British electronic artist
- Cubitt, Sean,
'Retrato Hablado: The Airmail Paintings of Eugenio Dittborn', n13, Winter
1990/91, 17-24: account of the Chilean artist
- Cubitt, Sean,
'Three Contemporay African Artists', n34, Spring 1996, 86-8: review
of show by Benin artist Cyprien Tokoudagba and Morrocans Ferid Belkahia
and Touhami Ennadre
- Cubitt, Sean
'V-topia', n28/9, Autumn/Winter 1994, 169-172:review of group electronic
media arts show
- Dahrouch, Abdelali,
'The Neglected Side: Matisse and Eurocentrism', n24, Autumn 1993, 13-24:
Matisse, Morocco and colonialism
- Danzker, Jo-AnneBirnie,
'Organizational Apartheid', n13, Winter 1990/91, 85-95: survey of curation
and exclusion of 'Native and non-white' artists in Canada
- Davies, Merryl
Wyn, 'September 11: The Visual Disaster' n57, Winter 2001-02, 13-22;
simulation and authority in news and reportage coverage of 9-11.
- de Andrade, Oswald,
'The Cannibalist Manifesto', n46, Spring 1999, 92-96: translation of
major 1928 document of Brazilian modernism; see also Stephen Berg, Lisette
Lagnado.
- Deliss, Clementine,
'The Dakar Biennale 92: Where Internationalism Falls Apart', n23, Summer
1993, 136-141: insitutional critique and review
- Deliss, Clementine,
'Exhibit A: Blueprint for a Visual Methodology', n18, Spring 1992, 27-47:
anthropology and interpretation in cultural identity debates; also in
Dutch
- Deliss, Clementine,
'Reply to Yinka Shonibare', n28/9, Autumn/Winter 1994, 201-2: defense
of Africa 95 workshop in Senegal
- deSouza, Allan,
'The Spoken Word: Theresa Hak Kyung Cha's "Dictee"', n24, Autumn 1993,
79: on Korean American woman's book art
- deSouza, Allan,
'The Flight of/from the Primitive', n38, Spring 1997, 65-79: reflections
on exhibitions of artists from South Asia, Korean and the Philippines
and of their diasporas
- Devda, Vijay
and Brett Nichols, 'A Contasminated Critique', n52, Autumn 2000, 86-88;
forum response to Araeen's 'A New Beginning' in n50
- Dewdney, Andrew,
'Deliberate Acts opf Cultural Translation', n35, Summer 1996, 92-4:
review of twin photographic installation exhibitions by Australian Aboriginal
women artists Brenda L Croft and Destiny Deacon
- Diawara, Manthia,
'The Nature of Mother in "Dreaming Rivers"', n13, Winter 1990/91, 73-84:
detailed analysis of the film by Black British filmmaker Martina Attille
- Dickerson, Amina,
'Archival Life in the New Century: Considerations of Mission and Structure
for African-Centred Institutions n54, Spring 2001, 101-106, the case
for an archive of Black British Art.
- Diken, Bülent,
'Immigration, Multiculturalism and Post-Politics after "Nine-Eleven"'
n57, Winter 2001-02, 3-12; cultural geography under GW Bush
- Dittborn, Eugenio,
'Four Pages for Third Text', n13, Winter 1990/91, 25-29: prints by the
Chilean artist
- Dimitrakaki,
Angela, 'Elements of a Secret History:Women, Art and Gender in Modern
Greece', n37, Winter 1996-7, 63-74: annotated survey
- Dimitrakaki,
Angela, 'The Unthinkable is the Unknowable: Ten Years After Chernobyl',
n35, Summer 1996, 101-103: reviews digital and photrographic show by
Stefan Gec, Vladimir Kuznetsov, Simon Schofield and Pam Skelton
- Dimitrakaki,
Angela, 'About Di/vision/s', n38, Spring 1997, 99-104: review
of About Vision: New British painting in the 1990s
- Dimitrakaki,
Angela, 'Yoko Ono: Have You Seen the Horizon lately?', n42, Spring 1998,
99-104: on the retrospective of the Japanese woman fluxus artist
- Dimitrakaki,
Angela, 'Mona Hatoum: A Shock of a Different Kind', n43, Summer 1998,
92-95: on the Palestinian British woman artist
- di Monte, Santo,
'Hans Rikken: A Neoprimitivist Hybridity', n32, Autumn 1995, 103-8:
cross-cultural experience and Afro-Cuban culture in work of Dutch artist.
- Donkor, Godfried,
'Revelations: Faisal Abdu'Allah and Clive Allen', n35, Summer 1996,
98-101: reviews collaboration between printmaker and photographer
- Doring, Tobias,
'Turning the Colonial Gaze: Re-Visions of Terror in Dabydeen's Turner',
n38, Spring 1997, 3-14: investigation of epic poem by Guyanese-British
poet
- Dorney, Camille,
'Samena Rana 1955-1992', n20, Autumn 1992, 114: tribute to Indian British
photographer and disability activist
- Dovey, John,
'Yo Yo', n36, Autumn 1996, 96-8: review of video installation by British
Palestinian Bashir makhoul and British Trinidadian Richard Hylton
- Drucker, Johanna,
'Sense and Sensibility: Women Artists and Minimalism in the Nineties',
n27, Summer 1994, 103-107: review of group show at MOMA, New York
- Drucker, Johanna,
'Simulation/Spectacle: Beyond the Boundaries of the Old Avant-Garde
and Exhausted Modernism', n22, Spring 1993, 3-16: the return of the
body in postmodern art
- Durham, Jimmie,
'Cowboys and . . . ', n12, Autumn 1990, 5-20: native American artists
surveyed by Cherokee artist Durham in context of US colonialism
- Durham, Jimmie,
'Here at the Centre of the World', n5, Winter 1988/89, 21-32: Native
American Cherokee artist discusses language and power in the art institution
with Chilean painter Eduardo Leon and Cuban sculptor Elso Padillo
- Dyer, Richard,
'Out of Africa':, n22, Spring 1993, 111-112: review of group show at
Saatchi collection
- Dyer, Richard,
'Vong Phaophanit: Ash and Silk Wall', n26, Spring 1994, 91-93: review
of installation by Lao artist
- Dyer, Richard,
'Yukinori Yanagi: Union Jack Ant Farm', n27, Summer 1994, 91-93: 'bio-kinetic'
installation reviewed
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