- Lagae, Johan,
'Displaying Authenticity and Progress: Architectural representations
of the Belgian Congo at International Exhibitions in the 1930s', n50,
Spring 2000, 21-32: contradictions between colonialism and the need
to present its positive side internationally
- Lagnado, Lisette,
'On Howe the 24th Sao Paolo Biennial took on Cannibalism', trans Stephen
Berg, n46, Spring 1999, 83-88: relations between the 1998 biennial and
the 1928 de Andrade manifesto of Cannibalism (qv)
- Land, Nick, 'Kant,
Capital and the Prohibition of Incest: A Polemical Introduction to the
Configuration of Philosophy and Modernity', n5, Winter 1988/89, 83-94:
enlightenment origins of apartheid and colonialism and the need for
'feminist violence'.
- Lawrence, Tim,
'Edward Said, Late Style and the Aesthetic of Exile', n38, Spring 1997,
15-24: critique of seminar given by US-based Palestinian critic
- Lee, Quentin,
'Delineating Asian (Hong Kong) Intellectuals: Speculations on Intellectual
Problematics and Post/Coloniality', n26, Spring 1994, 11-23: on Spivak's
remark that 'there are no Asian intellectuals'
- Lee, A Robert,
'Postindian Comments: Geral;d Vizenor in Conversation with A Robert
Lee', n43, Summer 1998, 69-79: on the native American Anishinaabe fabulist
- Lendon, Nigel,
'The Trajectory of Agency in Nguyet Ngo's Surname Viet, Given Name
Kieu', n46, Spring 1999, 73-82: installations of the Vietnamese
woman artist
- Lewis, Reina,
'"Only Women Should Go to Turkey": Henriette Browne and Women's Orientalism',
n22, Spring 1993, 53-64: orientalist themes in French 19th Century woman
painter; relation to the female gaze.
- Lichtenberg-Ettinger,
Bracha, 'The almost-missed encounters as eroticized aerials of the Psyche:
A matrixial rotation of the relations between unconscious (poetic) processes
and aesthetic objects', n28/9, Autumn/Winter 1994, 46-60: psychoanalysis
and the gaze by Israeli woman artist.
- Ligon, Glenn,
'Profiles', n14, Spring 1991, 53-61: artwork on sexuality and African
American and Hispanic men
- Lin, Xiaoping,
'Beijing: Yin Xiuzhen's The Ruined City', n48, Autumn 1999, 45-54:
feminist and environmental installations of Chinese woman artist
- Linehan, Jow,
'Willie Doherty: 'The Press Invented a Fable . . . ', n48, Autumn 1999,
108-111:on the Irish photographic and video installation artist
- Lingard, Bob
and Fazal Rizvi, '(Re)membering, (Dis)membering: "Aboriginality" and
the Art of Gordon Bennett', n26, Spring 1994, 75-89: art of the Australian
Aboriginal painter
- Lippard, Lucy
R, 'Doubletake: The Diary of a relationship with an Image', n16/17,
Autumn/Winter 1991, 134-144: account of photography by Mary Schaffer
of native Americans in 1906
- Llanes, Llilian,
'La Bienal de la Habana', n20, Autumn 1992, 5-12: history of the Cuban
biennial; also in Spanish
- Locke, matt,
'Conditions of Use: Participation in Old and New Media', n47, Summer
1999, 107-111: British curator of electronic media arts looks at Black
British and other net.art
- Lomax, Yve, 'Folds
in the Photograph', n32, Autumn 1995, 43-58: poetic theory of photography
by British woman photo-text artist
- Lopez, Sebastian,
'Identity: Reality or Fiction?', n18, Spring 1992, 15-25: Dutch cultural
politics and Latin American artists in Holland; also in Dutch
- Madra, Beral,
'Dark Rooms and National Pavillions' n57, Winter 2001-02, 101-5; review
of the Venice biennale
- Maharaj, Sarat,
'The Congo is Flooding the Acropolis: Art in Britain of the Immigrations',
n15, Summer 1991, 77-90: exile as key to modernism
- Malvern, Sue,
'Recapping on Recapitulation Or How to Primitivise the Child', n27,
Summer 1994, 21-30: relating children to 'primitivism' in modernity
through the artist Jamelie Hassan
- Man, Shoueng,
'Richard Wilson: Jamming Gears', n37, Winter 1996-7, 107-8: review
- Man, Shoueng,
'Ilya and Emilia Kabakov: The Palace of Projects', n43, Summer 1998,
96-98: on the monumental installatiuon by the Russian artists
- Mariátegui,
José-Carlos, 'Techno-Revolution: False Evolution?', n47, Summer
1999,
- Martin, Lee-Ann,
'The Burden of Authorship: Narratives of First Nations Artists in the
Context of "Indigena"', n21, Winter 1992/93, 83-94: Canadian Native
American art exhibit on colonization and identity
- Martin, Tim,
'Marina Abramovic', n33, Winter 1995-6, 85-92: performance and installation
works by the Yugoslav (Serbian) woman artist
- Martin, Tim,
'Silent Energy: New Art from China Guha, Tania, 'Transition of Riches',
n25, Winter 1993-94, 81-86: review 91-94: review of survey show
- Martin, Tim,
'Anselm Kieffer', n38, Spring 1997, 104-7: review of exhibition of paintings
by German artist
- Mathur, Saloni,
'Revisulaising the Missionary Subject: History, Modernity and Indian
Women', n37, Winter 1996-7, 53-61: on colonial photography
- Maxwell, Anne,
'"Native" Women and Tourism: A Contested Site of Orientalism', n25,
Winter 1993-94, 21-32: critique of Alloula's 'Colonial harem' applied
to postcards of Maori women of New Zealand
- Mazrui, Ali A,
'Witness for the Prosecution: A Cross Examination of "the Satanic Verses"'
n11, Summer 1990, 31-40: careful analysis of legal aspects of the fatwa
on Rushdie in Muslim and natural law
- McLean, Ian, 'The
Circumference is Everywhere and the Centre Nowhere: Modernity and the
Diasporic Discoveryof Columbus as Told by Tsvetan Todorov', n21, Winter
1992/93, 5-10: critique of Todorov's 'Conquest of America'
- McLean, Ian,
'documenta X and Australians at Oxford: Thinking Globally from Europe',
n42, Spring 1998, 57-70: critical account of ethnocentrism in curatorship
- McLean, Ian,
'History Painting Without the "Grand Manner"', n34, Spring 1996, 98-102:
review of "Seven Histories of Australia"
- McLean, Ian,
'The Metaphors of (Post)Colonial Redemption: The Writings of Paul Carter',
n41, Winter 1997/98, 15-23: critical account of the Australian historian
and critic
- McLean, Ian,
'A Rose is not a Rose, not a Rose, Knot: Christl Berg's 'A Postcolonial
Florilegium', n39, Summer 1997, 106-7:review of computer-generated images
by woman artist
- McLean, Ian,
'The Poverty of Art Historiography', n52 Autumn 2000, 85-86; forum response
to Araeen's 'A New Beginning', n52.
- McLean, Ian,
'Probabiliuty, Rap and Coincidence: Gordon Bennett's Notes to Basquiat',
n50, Spring 200, 107-109: Australian aborigine artist in artistic dialogue
with posthumous New York Haitian
- McLean, Ian,
'Psycho(d)rama Mirror Line: Reading Gordon Bennett's Installation "Mirrorama"',
n25, Winter 1993-94, 77-80: review of installation by Australian Aborigine
artist
- McLean, Ian ,
'White Aborigines: Cultural Imperatives of Australian Colonialism',
n22, Spring 1993, 17-26: the persistence of colonial structures in the
art institutions of Australia
- McLean, Ian, 'Back
to the Future: Nations, Borders and Cultural Theory' n57, Winter 2001-02,
23-30; weak postcolonial identities as heralds of the future
McNay, Lois, 'The Problem of the Self and Foucault's Ethics of the Self',
n19, Summer 1992, 3-8: feminism and identity in work of French philosopher
- Medina, Cuauhtemoc,
'Francis Alys: "Tu subrealismo (your subrealism)', n38, Spring 1997,
38-54:Mexican works of Belgian-born artist
- Merali, Shaheen,
'Under Different Skies', n37, Winter 1996-7, 1?09-111: review of important
Copenhagen group exhibition
- Merali, Shaheen,
'Displaces: Topography of Unbelonging', n39, Summer 1997, 103-5: review
of installation on the theme of refugees by Mai Ghoussoub and Souheil
Sleiman
- Merali, Shaheen,
'Texaco by Patrick Chamoiseau', n40, Autumn 1997, 109-110: review
of Creole French novel by Martinique writer
- Merali, Shaheen,
'Extravagant Strangers: A Literature of belonging', n43, Summer 1998,
108-9: review of anthology of migrant literature in England 1770 - 1997.
- Merali, Shaheen,
'Lisl Ponger: Xenographische Ansichten', n44, Autumn 1998, 102-6:
identities quized in book by Austrian woman photographic artist
- Meerali, Shaheen
'Cape of Longing: South Africa and Kay Hassan', n.55, Summer 2001, 85-92:
the significance for SA of a prestigious art prize award
- Mercer, Kobena,
'Black Art and the Burden of Representation', n10, Spring 1990, 61-78:
debate with Gilroy ('Cruciality') arguing for dialogue between diasporan
and aesthetic analyses
- Mercer, Kobena,
'Ethnicity and Internationality: New British Art and Diaspora-Based
Blackness', n49, Winter 1999-2000, 51-62: the need for an inclusive
history of British art after the period of making Black art visible
- Merewether, Charles,
'Naming Violence in the Works of Doris Salcedo', n24, Autumn 1993, 35-44:
collective memory versus separation of public and private in work of
Colombian woman artist
- Mermin, Elizabeth,
'"Searing Portraits": The Persistence of Realism in Black Urban Cinema',
n34, Spring 1996, 3-14: African American cinema, especially Charles
Burnett's "Killer of Sheep" and Matty Rich's "Straight out of Brooklyn"
- Michaud, Yves,
'Doctor Explorer Chief Curator' n6, Spring 1989, 83-88: critique of
universalism in curation of Magiciens de la terre
- Michaud, Yves
'Editorial' n6, Spring 1989, 17: introduction to translated essays on
Magiciens de la terre
- Miller, Donald
F, 'Introduction' n11, Summer 1990, 3-5: intro to special issue Beyond
the Rushdie Affair
- Miller, Donald
F, 'Omnipotence and its Enemies' n11, Summer 1990, 135-143: on individualism
in Salman Rushdie
- Miller, Ivor,
'We The Colonised Ones: Kukuli Speaks', n32, Autumn 1995, 94-102: selected
interviews with Peruvian woman installation artist Kukuli Verlade Barrionuevo,
'eited by Ivor Miller'.
- Modood, Tariq,
'Muslims, Race and Equality in Britain: Some Post-Rushdie Affair Reflections'
n11, Summer 1990, 127-134: Muslim critique of European enlightenment
libertarianism
- Moody, Cynthia,
'Ronald Moody: A Man True to His Vision', n8/9, Autumn/Winter 1989,
5-24: portrait of Jamaican born Black British sculptor
- Mooney, Jim,
'Queer Pickings: The Art of Lari Pittman', n44, Autumn 1998, 79-86:
on the gay Colombian and American painter
- Moreno, Carlos
Jimenez, 'The Lasting Instant: Ruins and Duration in Latin American
Photography', n39, Summer 1997, 77-86: themes in contemporary photography
- Mosquera, Gerardo,
'Carlos Capelan: Texts and Spirits', n26, Spring 1994, 43-47: on Uruguayan
artist working in Sweden
- Mosquera, Gerardo
and Rachel Weiss, 'Cuba Special Issue: Letter to the Editor'', n21,
Winter 1992/93, 4: criticism of Jay Murphy's article in n20.
- Mosquera, Gerardo,
'Encounters/Displacements - Conceptual Art and Politics', n24, Autumn
1993, 87-91: review of Texas exhibition of installations by Alfredo
Jaar, Luis Camnitzer and Cildo Meireles
- Mosquera, Gerardo,
'Ernseto Pujul: My Homeland', n28/9, Autumn/Winter 1994, 135-138: on
the Cuban painter
- Mosquera, Gerardo,
'The Marco Polo Syndrome: Some Problems Around Art and Eurocentrism',
n21, Winter 1992/93, 35-41: Cuban critique of eurocentric canon formation
in latin America and globally
- Mosquera, Gerardo,
'Modernidad y Africania: Wilfredo Lam in his Island', n20, Autumn 1992,
42-68: Cuban perspective on the Cuban painter; also in Spanish
- Mosquera, Gerardo,
'Juan Francisco Elso: Sacralisation and the "Other" Postmodernity in
New Cuban Art', n41, Winter 1997/98, 74-84: theoretical implications
of the work of Cuban mixed media artist
- Mosquera, Gerardo,
'Liliana Porter: Shaking Hands with Mickey', n42, Spring 1998, 71-8:
on the Argentinian woman print artist resident in the USA
- Mosquera, Gerardo,
'Goodbye Identity, Welcome Difference: From Latin American Art to Art
from Latin America' n56, Autumn 2001, 25-33, trans Michele Faguet; internal
and external contradictions of Iberoamerica, Latino etc
- Mot, Jan, 'Looking
in the Mirror', n18, Spring 1992, 103-107: reviewing cultural identity
conference; also in Dutch
- Mulvey, Laura,
'"Xala", Ousmane Sembene 1976: The Carapace that Faile', n16/17, Autumn/Winter
1991, 19-37: analysis of fetishism in Senegalese film
- Mundine, John,
'Aboriginal Art in Australia Today' n6, Spring 1989, 33-42: distinguishing
traditional and commercial art, and revaluing commodified art for sale
to white institutions
- Murphy, Jay,
'The Intifadah and the Work of Palestinian Artists' n11, Summer 1990,
119-126: survey of art in political struggle in the late 80s
- Murphy, Jay,
'Witnesses of Existence', n31, Summer 1995, 77-9: review of group show
by Bosnian artists
- Murphy, Jay,
'The Young and Restless in Habana', n20, Autumn 1992, 115-132: effects
of economic crisis and censorship on young generation of Cuban artists;
also in Spanish
- Murphy, Jay,
'The Young and Restless in Havana Revisited', n28/9, Autumn/Winter 1994,
155-164: a second view on the 5th Bienal of Havana (see Camnitzer, Fifth
Bienal
- Nair, Rukmini
Bhaya and Rimli Bhattacharya, 'Salman Rushdie: The Migrant in the Metropolis'
n11, Summer 1990, 16-30: argues that Rushdie's identity is formed in
the linguistic zone of the media
- Nandy, Ashis,
'Dialogue and the Diaspora: Conversation with Nikos Papastergiadis'
n11, Summer 1990, 99-108: neither The Satanic Verses nor the 'Rushdie
Affair' break with dominant Western categories
- Nanjo, Fumio,
'Situation in Japan' n6, Spring 1989, 29-32: art media, institutions
and social role of Japanese artists
- Nazareth, H.O.
'Deep Focus', n.55, Summer 2001, 97-9: review of British Film Institute
diversity policy
- Nicodemus, Everlyn,
'Art and Art from Africa: The Two Sides of The Gap', n33, Winter 1995-6,
31-40: curatorial issues in "Africa Art of a Continent" and " 7 Stories
About Modern Art in Africa'
- Nicodemus, Everlyn,
'Bourdieu out of Europe?', n30, Spring 1995, 3-12: relevance of Bourdieu's
sociology of culture for African arts
- Nicodemus, Everlyn,
'From Exclusion to Framing', n35, Summer 1996, 104-7: reviews Belgian
group show of women with non-European or immigrant backgrounds
- Nicodemus, Everlyn,
'Meeting Carl Einstein', n23, Summer 1993, 31-38: impact of pioneering
German art critic's work on classical African art
- Nicodemus, Everlyn,
'Shanglie Zhou, Beyond 'Landscape' and 'Face'', n37, Winter 1996-7,
27-36: on the Chinese woman mixed media and installation artist
- Nicodemus, Everlyn,
'When All my Reasoning Came to an End', n19, Summer 1992, 57-63: identity,
animism and autobiography by Tanzanian artist
- Nicodemus, Everlyn
and Kristian Romare, 'Africa, Art Criticism and the Big Commentary',
n41, Winter 1997/98, 53-65: problems for constructing an African art
critical discourse
- Nicodemua, Everlyn,
'Stipo Pranyko: Artist Nomad', n49, Winter 1999-2000, 27-40: exile and
wanderings of the Yugoslav-born artist
- Nobil, Ali, 'Is
East . . . East?', n49, Winter 1999-2000, 105--7:review of British
Asian Ayub Kahn-Din's film East is East
- Nolte, Jacqueline,
'Jane Alexander: Sculpture and Photomontage', n36, Autumn 1996, 99-101:
review of work by South African woman artist
- Nolte, Jacqueline,
'Contemporary South African Art 1985-1995', n39, Summer 1997, 95-103:
review of major Cape Town retrospective
- Ntuli, Pitika,
'Fragments from under a Telescope: A Response to Albie Sachs', n23,
Summer 1993, 69-77: detailed critique of ANC policy dicument on culture
in post-apartheid South Africa
- Ofeimun, Odia,
'John Muafengejo: A Poetic Intervention', n23, Summer 1993, 78-87: poems
and prints by Nigerian writer and artist
- Oguibe, Olu,
'El Anatsui: In the Public Space', n35, Summer 1996, 69-77: public dimensions
of the art of the Nigerian sculptor
- Oguibe, Olu,
'Beyond Gobineau', n25, Winter 1993-94, 107-111: reply to Romare on
Africa special issue n23
- Oguibe, Olu,
'Holding unto Own Space: Eight African Women Artists', n23, Summer 1993,
131-135: review of group show in ondon
- Oguibe, Olu,
'In the "Heart of Darkness": Editorial', n23, Summer 1993, 3-8: introduction
to special issue on Africa
- Oguibe, Olu,
'Medium and Memory in the Art of Fiona Foley', n33, Winter 1995-6, 51-60:
appreciation of the Australian woman artist
- Oguibe, Olu, 'Love
and Desire: The Art of Ghada Amer', n.55, Summer 2001, 63-74: on the
Egyptian woman artist
- O'Kane, Paul,
'Sabera Bham: Concealed Visions -- Veiled Sisters', n43, Summer 1998,
101-3: phtographs by the British Indian Muslim woman artist
- O'Kane, Paul,
'Johannes Phokela', n43, Summer 1998, 103-4: on the black South African
painter
- O'Kane, Paul,
'Mayling To and Susan Pui San Lok', n44, Autumn 1998, 97-99: reviewing
two women Hong Kpong and British artsists
- O'Kane, Paul,
'Ajamu's Tail: Bogus or Realistics? East 2000', n.53, Autumn, 2000 116-110:
review of British group exhibition
- Overy, Paul,
'After a Long Silence: The Work of Li Yuan-chia', n.55, Summer 2001,
51-62: on the British-based Chinese artist
- Oren, Michel,
'Worlds Envisioned', n33, Winter 1995-6, 95-7: review of joint show
by Cote d'Ivoire artist Frederic Bruly Bouabre and Italian artist Alighiero
e Boetti.
- Owen, Michael,
'Contemporary Art in Asia: Traditions/Tensions', n41, Winter 1997/98,
103-6: review of New York exhibition of contemporary Indian, Indonesian,
Thai, South Korean and Phillipino art
- Page, Clement,
'Hamad Butt: The Art of Metachemics', n32, Autumn 1995, 33-42: account
of British artist
- Page, Clement,
'Jana Sterback: "I Want You to Feel the Way I Do"', n35, Summer 1996,
59-68: account of Czech Canadian woman artist
- Page, Clement,
'Pasolini's 'Archaisms': Represetnational Problematics from Naples to
Calcutta', n42, Spring 1998, 19-28; the 'nostalgia for peasant life'
of the Ittalisn film director
- Palma, Fernando,
'Ik De Ander', n28/9, Autumn/Winter 1994, 191-5: problems of eclecticism
in international group show
- Palma, Fernando,
'Sin Frontera', n23, Summer 1993, 125-127: review of Mexican American
and Chicano group show
- Panting, Lisa,
'Come: Kate Davis', n41, Winter 1997/98, 93-95: review of sculptural
installations by British woman artist
- Papastergiadis,
Nikos, 'The Act of Approaching: Conversation with John Berger', n19,
Summer 1992, 87-95: storytelling and the writing of British critic and
novelist living
- Papastergiadis,
Nikos, 'Disputes at the Boundaries of "New Internationalism"', n25,
Winter 1993-94, 95-101: critical review of INIVA and its first exhibition,
a photographic show curated by Sunil Gupta.
- Papastergiadis,
Nikos, 'Editorial', n15, Summer 1991, 3-4: intro to special issue on
art and immigration
- Papastergiadis,
Nikos, 'Framing the Message', n24, Autumn 1993, 81-86: review of 'Aratjara:
Art of the First Australians' survey of Aborigine art
- Papastergiadis,
Nikos, 'Gabriel Orozco', n36, Autumn 1996, 94-5: review of retrospective
on installation artist and sculptor
- Papastergiadis,
Nikos, 'Restless Hybrids', n32, Autumn 1995, 9-18: ideological criticism
of the concept of hybridity
- Papastergiadis,
Nikos, 'The South in the North', n14, Spring 1991, 4-52: critique of
the exhibition Il Sud del Mondo and catalogue contribution on modernity
by Gadamer
- Papastergiadis,
Nikos, 'Contradictions and Complaints', n.53, Autumn 2000, 89- 91: response
to Rasheed Araeen, 'A New Beginning'
- Papastergiadis,
Nikos, '"Everything that Surrounds": Theories of the Everyday,
Art and Politics' n57, Winter 2001-02, 71-86; beyond contextual studies
- Parry, Benita,
'Signs of Our Times: Discussion of Homi Bhabha's "The Location of Culture"',
n28/9, Autumn/Winter 1994, 5-24: critique of Bhabha, using Derrida's
work on Marx (see reply by Iain Chamber n31).
- Patrick, Martin,
'Polish Conceptualism of the 1960s and 1970s: Images, Objects, Systems
and Texts', n54, Spring 2001, 25-45, neglected Eastern Europen art
- Patti, Symrath
Kaur, 'The Complete Promise', n19, Summer 1992, 19-24: panels from phototext
installation by Kenyan-born artist working in Britain with introductory
note by Jean Fisher
- Peaker, Giles,
'Interior Light: Lynn Silverman', n41, Winter 1997/98,101-103: review
of woman photographic artist
- Perez-Barreiro,
Gabriel, 'Earth and Everything: Recent Art from South Africa', n38,
Spring 1997, 92-4: review of UK touring exhibition
- Perrois, Louis,
'Through the Eyes of the White Man: From "Negro Art" to African Arts
- Classifications and Methods' n6, Spring 1989, 51-60: attempt at logical
classification of Black African arts
- Petrina, Alberto,
'Regional Architecture as an Act of Trasngression', n20, Autumn 1992,
33-41:Agentinia critic on Latin American architecture
- Philip, M. Nourbese,
'The White Soul of Canada', n14, Spring 1991, 63-77: African Canadian
critique of institutions and curation of 'Into the Heart of Africa'
exhibit
- Philippi, Desa,
'The Conjuncture of Race and Gender in Anthropology and Art History:
A Critique of Nancy Spero's Work', n1, Autum 1987, 34-54: conections
between primitivism and the construction of women as other in the work
of US American artist Nancy Spero
- Philippi, Desa,
'The Witness Beside Herself', n12, Autumn 1990, 71-80: video and installation
work by Palestinian artist Mona Hatoum
- Philippi, Desa,
'Quipoem and The Precarious: The Art and Poetry of Cecilia
Vicuna', n43, Summer 1998, 105-7: on the Chilean woman exile
- Phoca, Sophia,
'In Your Face', n43, Summer 1998, 90-1: monumental protrait drawings
by British artist Jason Brooks
- Phoca, Sophia,
'She's Streetwise and a stalker: Sophie Calle's The Birthday ceremony',
n45, Winter 1998-99, 101-3: on the woman photographic artist
- Phoca, Sophia,
'Protest and Survive', n.53, Autumn 2000, 100-103: critique of London
exhibition of British protest art of the 1970s and 1980s
- Picton, John,
'In Vogue, or The Flavour of the Month: The New Way to Wear Black',
n23, Summer 1993, 88-98: critique of Africa Explores and other group
exhibitions of the early 90s
- Pieterse, Jan
Nederveen, 'Aesthetics of Power: Time and Body in Politics', n22, Spring
1993, 33-42: visual discourse of Zionism in Israel
- Pieterse, Jan
Nederveen, 'Changing Definitions', n.53, Autumn 2000, 91-93: response
to Rasheed Araeen, 'A New Beginning'
- Pindell, Howardena,
'Art (World) and Racism: Testimony, Documentation and Statistics', n3/4,
Spring/Summer 1988, 157-190: African American woman artist provides
extensive documentation of art institution racism in the New York area,
with cases of racist art and reception of Adrian Piper.
- Pindell, Howardena,
'Covenant of Silence: De Facto Censorship in the Visual Arts' n11, Summer
1990, 70-90: censorship on racist grounds in the US
- Pindell, Howardena,
'Free, White and 21', n19, Summer 1992, 31-39: African American artist's
account of making video work, with transcript
- Pinder, Kymberly
N, 'Biraciality and Nationhood in Contemporary American Art', n.53,
Autumn 2000, 43-54: postcolonial hybridity and the persistence of 'race'
in North America
- Pinney, Chritopher,
'Other Explanations of Itself', n16/17, Autumn/Winter 1991, 145-156:
ethnography in the work of Vietnamese doumentary film maker Trinh T.
Minh-Ha
- Piper, Keith,
'Body & Text', , n2, Winter 187/88, 53-61: collaged phototext works
by Black British artist on history as documents and history of Black
bodies
- Pissarra, Mario,
'Cross Currents: Contemporary Art Practice in South Africa',
n52 Autumn 2000, 95-102; book review of anthology edited by John Picton
and Jennifer Law
- Pissarra, Mario,
'Postcolonial Africa' n57, Winter 2001-02, 106-8; review of exhibition
of San people of Southern Africa.
- Pollard, Ingrid,
'Pastoral Interludes' n7, Summer 1989, 41-46: phototext by Black British
woman artist confronting racism of landscape tradition
- Pollock, Griselda,
'Dangerous Places: Ponar - An Installation by Pam Skelton', n36, Autumn
1996, 45-53: ananlysis of British woman artist's work on the Holocaust
- Pollock, Griselda,
'The Work of Bracha Lichtenberg-Ettinger: An Introduction', n28/9, Autumn/Winter
1994, 61-70: account of the Israeli wmoan artist
- Poppi, Cesare,
'From the Suburbs of the Global Village: Afterthoughts on "Magiciens
de la terre"', n14, Spring 1991, 85-96: critique of art as postmodernism
- Power, Kevin,
'James Lee Byars', n39, Summer 1997, 108-10: obituary for North American
artist
- Power, Kevin,
'Manuel Ocampo: Rough Gatherings at the Edges of the Mind', n41, Winter
1997/98, 29-42: post-punk carnivalesque in the art of Phillipino-born
US-based artist
- Price, Sally
'Others Art - Our Art' n6, Spring 1989, 65-71: the role of anonymity
in the construction of primitivism
- Prieto, Margarita
Sanchez, 'Escape from Social Utopia: New Art in Argentina and Chile',
n.55, Summer 2001, 75-84
- Pryke, Sam, '"Offside":
Contemporary Artists and Football', n36, Autumn 1996, 102-4: review
of international group show
- Pui San Lok,
Susan, 'Staging/Translating: Surname Viet, Given Name Nam', n46,
Spring 1999, 61-72; on the Vietnamese woman film maker Trinh T Minh-Ha
- pui san lok,
susan, 'Trailing TRACE/Y: The Liverpool Biennial of Contemporary Art',
n49, Winter 1999-2000, 101-5: review article
- Purdom, Judy,
'Mapping Difference', n32, Autumn 1995, 19-32: critique of Homi Bhabha
and hybridity, using Derrida's concept of differance
- Purdom, Judy,
'Who is Jimmie Durham?', n28/9, Autumn/Winter 1994, 173-8: review of
Native American Cherokee artist
- Quinn, Malcolm,
'Re-Thinking the Unthinkable: Ventriloquy, the Quotidian and Intellectual
Work', n40, Autumn 1997, 13-20:debate over John Roberts' analysis of
'philistinism' in contemporary art (cf Roberts, John, 'Mad For It',
3T n35)
- Quintanilla,
Raul, 'A Suspended Dialogue: The Nicaraguan Revolution and the Arts',
n24, Autumn 1993, 25-34: political and institutional issues in Nicaraguan
art
- Raad, Walid,
'Bayrut Ya Beyrouth: Maroun Baghdadi's "Hors la vie" and Franco Lebanese
History', n36, Autumn 1996, 65-82: analysis of film by Lebanese director
- Rajah, Niranjan,
''Slow Downloa! The Internet as a Medium for Art', n47, Summer 1999,
87-94: internet art perspectives from Malaysian electronic artist
- Rangasamy, Jacques,
'Confrontations', n22, Spring 1993, 98-105: review of group show on
stereotypes
- Ratnam, Niru,
'Transforming the Crown', n41, Winter 1997/98, 85-9: review of New York
exhibition of Black and Asian British artists.
- Ratnam, Niru,
'Donald Rodney', n42, Spring 1998, 109-110: obirtuary tribute to the
Black British artist
- Ratnam, Niru,
'Asia City', n44, Autumn 1998, 93-6: review of photographic exhibition
- Ratnam, Niru,
'"Global Visions": New Art from the 90's, Part II', n45, Winter 1998-99,
98-101: on the Deste Foundation and collection of Greek Dakis Joannou
in Athens
- Ravetto, Kriss,
'Mytho-Poetic Cinema: Cinemas of Disappearance', n43, Summer 1998, 43-58:
representation of the "Balkans" in films of Bosnian Emir Kusturica (Underground)
and Greek Theo Angelopoulos (Ulysses' Gaze)
- Reynaud, Ana
Teresa J, 'Myth in the Times of the Media: Carlos Nader's Portrait
of a Serial Kisser', n52 Autumn 2000, 67-77; The Brazilian video
maker's tape of Jose Alves de Moura, who kisses celebrities
- Richard, Nelly,
'Art in Chile since 1973', n2, Winter 1987/88, 13-24: dissent and negation
in artistic struggles for democracy in Chilean avanzada
- Richard, Nelly,
'Postmodernism and Periphery', n2, Winter 1987/88, 5-12: Chilean critic
anayses European modernity and how the periphery has always undermined
its claim to universality
- Richards, Colin,
'About Face: Aspects of Art History and Identity in South African Visual
Culture', n16/17, Autumn/Winter 1991, 101-133: survey of contemporary
painting, sculpture and photography
- Richardson, Michael,
'A Sad Little Show in a Desolate Landscape' n57, Winter 2001-02, 91-6;
review of 'Surrealism: Desire Unbound', Tate Modern, London
- Richardson, Penelope,
'Varieties of Havana: the 7th Habana Bienal', n.55, Summer 2001, 99-102:
review
- Roberts, John
'Sonia Boyce in conversation with John Roberts', n1, Autumn 1987, 55-64:
Black British artist discusses her influences and relation to other
Black artists
- Roberts, John,
'"Gravity and Grace" - Another View', n23, Summer 1993, 115-120: defense
of 60s and 70s sculpture show (cf Araeen, Gravity and [Dis]Grace)
- Roberts, John,
'Indian Art, Identity and the Avant-Garde: The Sculpture of Vivan Sundaram',
n27, Summer 1994, 31-36: secularism, post-nationalism and postmodernity
in the artist's work
- Roberts, John,
'Mad for It! Philistinism, the Everyday and New British Art', n35, Summer
1996, 29-42: facetiousness as response to institutionalisation of theory
- Roberts, John,
'The Museum and the Crisis of Critical Postmodernism', n41, Winter 1997/98,
66-73:photography and the criticism of art institutions
- Robinson, Denise,
'Thought Burned Alive: The Work of Susan Hiller', n37, Winter 1996-7,
37-52: on the British American woman mixed media and installation artist
- Rogers, Helen,
'Conversations with Susan Hillier', n41, Winter 1997/98, 107-8: book
review of critical/art book by US-born British woman artist
- Romare, Kristian,
'Back to Gobineau', n25, Winter 1993-94, 105-107: critique of Africa
special issue (n23)
- Romare, Kristian,
'Collector Agents from the Peripheries', n35, Summer 1996, 79-87: early
20th century collectors Sergei Scchukin in Russia and Alfred C Barnes
in the USA
- Romare, Kristian,
'Invisibility Visualised: "Inside the Visible"', n37, Winter 1996-7,
94-7: review of eclectic touring exhibition
- Romare, Kristian,
'Beyond Ethics and Aesthetics', n43, Summer 1998, 110-111: review of
collection of essays associated with 'Cultural Identitty' symposium
(see issue 18) and 'Ik and de Ander' exhibition (see Palma, Fernando,
issue 28/9)
- Romare, Kristian,
'Collecting in the Light of Independence: The Field of Modern Art in
Vietnam', n45, Winter 1998-99, 84-7: in the context of the Viet-Nam
XXeme Siecle exhibition in Brussels
- Rosen, Rhoda,
'Art History and Myth-Making in South Africa: The Example of Azaria
Mbatha', n23, Summer 1993, 9-22: print works as critique of national
and local cultural essentialism
- Rushing, W Jackson,
'Essence and Existence in Allan Houser's Modernism', n39, Summer 1997,
87-94:career overview of Native American sculptor and painter
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