- Saakana, Amon
Saba 'Mythology and History: An Afrocentric Perspective of the World',
n3/4, Spring/Summer 1988, 143-149: critique of European concepts of
mythology, history and literacy to affirm the power of myth in Africa
and the African diaspora
- Said, Edward,
'The Voice of a Palestinian in Exile', n3/4, Spring/Summer 1988, 39-50:
phototext taken from BBC broadcast in the series The Exiles.
- Salamao, Waly,
'HOmage', n28/9, Autumn/Winter 1994, 129-134: on Brazilian artist
Helio Oiticica
- Salzstein,
Sonia, 'Helio Oiticica: Autonomy and the Limits of Suubjectivity',
n28/9, Autumn/Winter 1994, 117-128: on the Brazilian artist
- Samson, Colin,
'Mestizaj, Spiritual Soundbites and the Art of Ruben Trejo', n32,
Autumn 1995, 75-84: variously Mexican American, Chicano and Native
American (Tarascan) artist as critic of hybridity
- Sanchez, Osvaldo,
'The Children of Utopia' n7, Summer 1989, 33-40: survey of young Cuban
artists of the 80s
- Sanchez, Osvaldo,
'Eugenia Vargas: The Body as memory', n22, Spring 1993,43-45: installation
and performance by Chilean Mexican woman artist
- Sanchez, Osvaldo,
'Jose Bedia: La restauracion de nuestra alteridad/Restoring our Otherness',
n13, Winter 1990/91, 63-72: bilingual appreciation of the Cuban installation
artist
- Sanchez Prieto,
Margarita, 'Eurocentrism and Critical Latin American Thought: Notes
on the Theme of Evaluation', n41, Winter 1997/98, 25-28: Eurocentrism
in Latin American postmodernist thought
- San Juan Jr,
E, 'Aimé Césaire's Poetics of Fugitive Intervention',
n.53, Autumn 2000, 3-17: on the Martinique poet and his relations
with surrealism
- Sancho, Victoria
A-T, 'Respect and Representation: Dawoud Bey's Portraits of Individual
Identity', n44, Autumn 1998, 55-68: on the African American photographer
- Sanjines C.,
Javier, 'Antezana's "Cholos": The Visceral, the Sublime and the Critique
of Mestizaje', n32, Autumn 1995, 59-64: analysis of painting by Bolivian
artist
- Santacatterina,
Stella, 'Conversation with Shirazeh Houshiary', n27, Summer 1994,
77-77-85: Sufi symbolism in the artist's sculpture and drawing
- Santacatterina,
Stella, 'Identity of the Same', n31, Summer 1995, 104-107: review
of Venice Biennale
- Santacatterina,
Stella, 'Avis Newman: Blocking Light', n34, Spring 1996, 95-98: British
woman artist reviewed
- Santacatterina,
Stella, 'Strategies towards the Remaking of the Artistic Self', n37,
Winter 1996-7, 99-103: reviews of Maurizio Cattelan, Eponce Quesada,
Monica Bonvicini, Giorgio Sadotti
- Santacatterina,
Stella, 'Minimalia', n40, Autumn 1997, 105-8: review of Venica biennale
exhibition on Italian Minimalism
- Santacatterina,
Stella, 'Harmonic Convergences: A Conversation with Barbara Zolezzi
and Elisabetta De Pieri', n42, Spring 1998, on the Italian Venetian
women fabulists
- Santacatterina,
Stella, 'Lucia Nogueira', n43, Summer 1998, 80: obituary tribute to
the Brazilian artist
- Santacatterina,
Stella, 'Piero Manzoni: Art as Reflection on Art', n45, Winter 1998-99,
23-8
- Sardar, Ziauddin,
'Lies, Damned Lies and Columbus: The Dynamics of Constructed Ignorance',
n21, Winter 1992/93, 47-56: mysticism and science in the mythology
of Columbus
- Sardar, Ziauddin,
'Walt Disney and the Double Victimization of Pocahontas', n37, Winter
1996-7, 17-26: analysis of the film in its hstorical and ideological
contexts
- Scherer, Bernd,
'Johannesburg Biennale: Interview wth Lorna Ferguson', n31, Summer
1995, 83-8: institutional issues in first Jo'burg biennial
- Schlegel, Amy,
'My Lai:"We Lie, They Die" or, A Small History of an "Atrocious" Photograph',
n31, Summer 1995, 47-66: Vietnam masscare photograph as used by the
Art Workers Coalition.
- Seth, J.S.,
'Interruption Interval Hyphen', n24, Autumn 1993, 67-72: Heideggerian
text from performance
- Seth, J.S.
and Anne Tallentire, 'Interruptions', n24, Autumn 1993, 59-66: documents
of installation performance piece; photos by Lanis Levy
- Severi, Carlos,
'Primitivism without Appropriation: Boas, Newman and the Anthropology
of Art' n6, Spring 1989, 61-64: Western artists learn from ritual
art as technique and thought
- Shaw, Elizabeth,
'Radical Emigre Artists and their Return to the DDR', n15, Summer
1991, 57-61: German and British cultural relations in the 40s
- Shaw, Wendy
Meryem K, 'Ambiguity and Audience in the Films of Shirin Neshat' n57,
Winter 2001-02, 43-52; on the Iranian video and media artist
- Shemza, Mary,
'Anwar Jalal Shemza: Search for Cultural Identity', n8/9, Autumn/Winter
1989, 65-78: account of life and painting of Pakistani British artist
- Shohat, Ella,
'Staging the Quincentenary: The Middle East and the Americas', n21,
Winter 1992/93, 95-105: eurocentric hegemony in Israel and connections
to Columbus
- Sholette, Gregory,
'News from Nowhere: Activist Art and After - A Reprot from New York
City', n45, Winter 1998-99, 45-62: on the aestheticist betrayal of
the legacy of activist art in USA curatorial practice
- Shonibare,
Yinka, 'Jean-Michel Basquiat, please do not turn in your grave, it's
only TENQ', n28/9, Autumn/Winter 1994, 199-200: problems of the Africa
95 workshop in Dakar, Senegal
- Silva, Bisi,
'Dak'Art 2000', n.53, Autumn 2000, 103-106: review of Dakar biennial
- Simone, Abdul
Maliqalim and David Hecht, 'Masking Magic: Ambiguity in Contemporary
Afticn Political and Cultural Practices', n23, Summer 1993, 107-113:
'incessant doubleness' of African art
- Sivaramakrishnan,
Arvind, 'The Slave with Two Hearts: The Assymetry of Cultural Assimilation',
n7, Summer 1989, 3-10: the savagery of European civilisation and philosophical
problems in cultural encounters
- Smalls, James,
'African-American Self-Portraiture: Repair, Reclamation, Rdemption',
n54, Spring 2001, 47-62: identity politics and painting
- Smith, Bernard,
'More on the Formal-esque' n57, Winter 2001-02, 65-70; the question
of period style
- Smith, Marquard,
'On the State of Cultural Studies: An Interview with Paul Gilroy',
n49, Winter 1999-2000, 15-26: discussion with Black British cultural
studies scholar
- Sorkin, Jenni,
'Stain: On Cloth, Stigma and Shame', n.53, Autumn 2000, 77-80: women
artists, dirt and disgust
- Sotiriadi, Tina,
'William Kentridge: A Process of remebering and Forgetting', n48,
Autumn 1999, 106-108:drawings and film projections of South African
artist
- Sotiriadi,
Tina, 'Ukrainian Realities' n57, Winter 2001-02, 98-101; review of
Boris Mikhailov's photographs
- Souza, Francis
N., 'Nirvana of a Maggot', n19, Summer 1992, 40-48: autobiographical
essay by Indian painter, first published in 1955
- Spivak, Gayatri
C, 'Asked to Talk About Myself . . .', n19, Summer 1992, 9-18: feminism
and identity by Indian American critic
- Spivak, Gayatri
C, 'Asked to Spak About Myself -- A Postscript', n22, Spring 1993,
32: clarificatory note
- Spivak, Gayatri
C., 'Reading "The Satanic Verses"' n11, Summer 1990, 41-60: analysis
of the conditions under which reading of Rushdie can take place
- Stallabrass,
Julian, 'The Dead, Our Dead: Murals and Banners of the Zapatistas',
n38, Spring 1997, 55-64:revolutionary art of Chiapas, Mexico.
- Stallabrass,
Julian, 'High Art Lite at the Royal Academy', n42, Spring 1998, 79-84:
review of yBa British artists and reply to John Roberts (issue 35)
and Malcolm Quinn (issue 40)
- Stallabras,
Julian, 'Token Images: A User's Guide', n52 Autumn 2000, 91-95; review
on recent books about thr Saatchi collection and yBa Mark Quinn
- Stanton, Gareth,
'The Oriental City: A North African Itinerary', n3/4, Spring/Summer
1988, 3-38: reading of postcard photography in French North Africa,
especially Algeria and Morocco, in the late 19th and early 20th centuries
- Steyn, Juliet,
'Of Rubies and Rebels, Or, Missionary Positions', n37, Winter 1996-7,
98-9: review of London Jewish women artists exhibition.
- Steyn, Juliet,
'Mods, Yids and Foreigners', n15, Summer 1991, 29-38: construction
of Jewish artists in Britain in 1914 exhibition 'Twentieth Century
Art'
- Steyn, Julia,
'Strong Light, Dark Shadows', n.55, Summer 2001, 93-6review of Imperial
War Museum Holocaust exhibition and Finkelstein'sbook Holocaust
Industry.
- Stone, Rob,
'The Burden of Lot's Wife: Genre and Her father's Voice in the Plausibility
of Daphne Wright', n34, Spring 1996, 15-22: recent work of Irish woman
sculptor
- Streicher,
Hiltrud and Uzo Egonu, 'Reflections of Uzo Egonu', n8/9, Autumn/Winter
1989, 173-182: extracts from conversations with the Nigerian painter,
including reflections on art and illness.
- Stuby, Tamara,
'"Dark Night" under a Bright Light: Ana Maria Pacheco's Dark Night
of the Soul', n50, Spring 2000, 114-6: installation, fruit of
wmaon artist's residence at National Gallery, London
- Subirats, Eduardo,
'The Vacuous Quincentenary',trans Jaime Florez, n21, Winter 1992/93,
57-66: Columbus and the Spanish political elite today
- Sundaram, Ravi,
'Recycling Modernity: Pirate Electronic Cultures in India', n47, Summer
1999, 59-65; on the reccycling ethic versus corporate ownership strategies
- Swinson, James,
'Lee Wen: Connection/Location', n45, Winter 1998-99, 95-7: review
of the Singaporean performance artist
- Swinson, James,
'Architects Dream of Nightmare Cities: 'Cities on the Move', n48,
Autumn 1999, 101-106: review of group exhibition of contemporary East
Asian artists
- Swinson, James,
'Political Artist: Oxymoron or Tautology?' n57, Winter 2001-02, 53-60;
prompted by Hans Haacke show in London.
- Tabrizian, Mitra
'Minimal Utopia', n47, Summer 1999, 67-70; artists pages -- digital
image and notes by Iranian British woman photographic artist
- Tassinari,
Alberto, 'A Poetics of Tragedy: Nunos Ramos' Installation "111"',
n26, Spring 1994, 49-60: trans Vanderlei Zachi: major installation
by Brazilian artist
- Tawadros, Gilane,
'Beyond the Boundary: The Work of Three Black Women Artists in Britain',
n8/9, Autumn/Winter 1989, 121-150: account of painters Sutapa Biswas,
Lubaina Himid and Sonia Boyce
- Tawadros, Gilane,
'Black Women in Britain: A Personal and Intellectual Journay', n15,
Summer 1991, 71-76: identity and the work of Lubaina Himid, Sonia
Boyce and Mona Hatoum.
- Tawardros,
Gilane (‚eylan), 'Foreign Bodies: Art History and the Discourse of
19th Century Orientalist Art', n3/4, Spring/Summer 1988, 51-67: configurations
of knowledge and power in Orientalist painting, especially Jean-Léon
Gérôme
- Tawadros, Gilane,
'Sutapa Biswas: Remembrance of Things Past and Present', n22, Spring
1993, 47-52: photographic and installation work by British Asian woman
artist
- Taylor, Simon,
'Todd Ayoung: Decolonising the Mind', n30, Spring 1995, 53-66: on
the Trinidadian American installation artist
- Tejada, Roberto,
'Carlos Aguirre: Weights of Resistance', n34, Spring 1996, 53-8: social
reality and non-representational art of mexican artist
- Terra, Jun,
'David medalla in London', n30, Spring 1995, 93-100: review of the
Phillipine European artist's 'Secret History of the Mondrian Fan Club'
- Thomas, Nicholas,
'Colonial Surrealism: Luis Bunuel's "Land Without Bread"', n26, Spring
1994, 25-32: a Spanish film documentary of the 30s
- Tomiyama, Taeko,
'Shadows from a Distant Scene', n33, Winter 1995-6, 61-66: autobiographical
essay concerning manchuria by Japanese woman artist.
- Tupitsyn, Victor,
'A Psychodrome of Misreading: Ilya Kabakov and Harold Bloom', n33,
Winter 1995-6, 25-30: misreadings of the Russian installation artist
- Tupitsyn, Victor,
'If I Were a Woman: Feminism versus Cultural Patriarchy in Russia',
n40, Autumn 1997, 85-93: themes in contemporary Russian women artists
- Tupitsyn, Victor,
'The Body-Without-A-Name: Procrastination as a Cultural Phenomenon',
n48, Autumn 1999, 3-16: peculiarities oin the history of modern art
in Russia
- Tupitsyn, Victor,
'Negativity: Report from Mosco', n54, Spring 2001, 17-24, nihilism
in contemporary Russian art
- Ueno, Toshiya,
'Techno-Orientalism and Media Tribalism: On Japanese Animation and
Rave Culture', n47, Summer 1999, 95-106: the connections between japanimation
(manga, anime) and the techno and reave cultures in Japan and globally.
- Usherwood,
Paul, 'Private View', n35, Summer 1996, 95-9: review of 35 German
and British artists exhibiting in a British stately home
- Valentino,
Erin, '"A Patsy's Leap into Quantum Time":The Work of Phil Young',
n46, Spring 1999, 39-52: on the Native American installation and photographic
artist
- Valentino,
Erin, '"Mistaken Identity": Between Death and Pleasure in the Art
of Kay Walking Stick', n26, Spring 1994, 61-73: career of Native American
Cherokee woman artist
- Valentino,
Erin, 'Coyote's Ransom: Jaune Quick-to-See Smith and the Language
of Appropriation', n38, Spring 1997, 25-37: career overview of Native
American woman artist
- van der Plas,
Els, 'Het Klimaat (The Climate): Foreign Artists in the Netherlands',
n18, Spring 1992, 109-125: cultural identity and review of exhibition;
also in Dutch
- van der Plas,
Els, 'The Ujamaa IV Workshop in Mozambique', n38, Spring 1997, 81-86:report
on artists' workshops in maputo
- van der Watt,
Lisa, '"Making Whiteness Strange": White Identity in Post-Apartheid
South Africa' n56, Autumn 2001, 63-74; on young white video and performance
artists
- Vasquez, Rigo,
'La Nueva Trova: Written and Sung Poetry in Cuba', n20, Autumn 1992,
103-113: survey of new Cuban song since the revolution; also in Spanish
- Vasudevan,
Ravi, 'Shifting Codes, Dissolving Identities: The Hindi Social Film
of the 1950s as Popular Culture', n34, Spring 1996, 59-77: focussing
on Mehboob Khan's "Andaz" and Raj Kapoor's "Awara"
- Vega, Leticia
Cordeo, 'Meeting with Rachid Koraichi', n25, Winter 1993-94, 61-66:
calligraphic works of Algerian Tunisian artist
- Vizenor, Gerald,
'Imagic Moments: Native Identities and Literary Modernity', n46, Spring
1999, 25-37: modes of Native American writing
- Vowles, Hannah
and Glyn Banks, 'Black Athena by Martin Bernal: A Review Article',
n3/4, Spring/Summer 1988, 151-155: positive review of Bernal's critique
of the 'Aryan model' of ancient Greek culture
- Wallace, Michelle,
'Michael Jackson, Black Modernisms and "The Ecstasy of Communication"',
n7, Summer 1989, 11-22: postmodernism and the mass media in the construction
of African American pop musician Jackson's pop videos
- Wayne, Michael,
'The Critical Practice and Dialectics of Third Cinema', n52 Autumn
2000, 53-66; wiyth critical focus on Pontecorvo's The Battle of
Algiers
- Wegener, Claudia,
''A First Visit to Tate Modern', n.53, Autumn 2000, 81-5: report on
new national gallery in London, England
- Weiss, Rachel,
'Gerardo Mosquera: A Case of US Hostility towards Cuba', n16/17, Autum/Winter
1991, 5-8: political censorship of Cuban critic
- Welchman, John,
'Photographies, Counter-Revolution and Second Worlds: Allegories by
Design', n27, Summer 1994, 7-20: Glasnost and art in Russia
- Welchman, John
'Photographies, Counter-Revolutions, Second Worlds: Releases and Counter-Appropriations',
n31, Summer 1995, 9-22: reappropriation of photographic discourse
in Russia
- Welchman, John,
'Culture/Cuts: The Work of Cody Hyun Choi', n48, Autumn 1999, 89-99:
South Korean-born, US resident installation and performance artist
- West, James
D., 'Aquellos Ojos Verdes', n26, Spring 1994, 33-42: critique of US
woman artist Carla Rippey working in Mexico
- Whiles, Virginia,
'In and Out of pakistan', n52 Autumn 2000, 103-111; reviews of shows
on modernism in Pakistan since independence.
- Williams, Aubrey,
'Conversation with Aubrey Williams', n2, Winter 187/88, 25-52: Rasheed
Araeen interview with Guyanese painter, his relation to pre-Colombian,
especially Mayan art, and his time in England.
- Willis, Anne-Marie
and Tony Fry, 'Art as Ethnocide: The Case of Australia', n5, Winter
1988/89, 3-20: on the contradictions of authenticity and commodification
of Aboriginal art
- Wilson, Judith,
'Down to the Crossroad: The Art of Alison Saar', n10, Spring 1990,
25-44: account of African American woman sculptor's wood carving and
installation work
- Wilson, Judith,
'In Memory of the News and of Our Selves: The Art of Adrian Piper',
n16/17, Autumn/Winter 1991, 39-64: African American feminist' performance,
mixed media and video works
- Wilson, Siona,
'White Metonymy: A Discussion around Jo Spence and Terry Dennett's
Colonisation', n37, Winter 1996-7, 3-16: archeology of self-portrait
by British feminist woman photographer and partner
- Wolf, Herta,
'Notes on "Mistaken Identities"', n24, Autumn 1993, 107-111: review
of multicultural photography exhibition
- Wood, Yolanda,
'Metaphors of a Journey', n31, Summer 1995, 71-3: installations by
Cuban artist Ernesto Pujol
- Xiaoping Lin,
'The Neoliberal Gaze', n.53, Autumn 2000, 87-9: response to Rasheed
Araeen, 'A New Beginning'
- Xiaoping Lin,
'Red Corner: An Orientalist Nightmare in a Globalised World'
n56, Autumn 2001, 51-62; on the US Hollywood movie set in Beijing
- Zabala, Horacio,
'Questions that Lead Nowhere', n31, Summer 1995, 23-29: artist's statement,
on art and newpapers
- Zahm, Olivier
and eleven other signatories, 'An Open Letter to the Art World', n34,
Spring 1996, 108-9: "artistic" destruction of artworks in Swedish-Russian
show
- Zefkili, Despoina,
'"Reality" Minus Art: The Curator as Realist', n50, Spring
2000, 99-106: the art of the Balkans and gallery practice in Greece
- Zizek, Slavoj,
'Against the Double Blackmail', n47, Summer 1999, 39-50; the Slovenian
intellectual's gallery intervention into the Kosova war
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