Research Publications for Carolyn Michelle

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Author's Publications

Publications ByMICHELLE, Carolyn

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  • Michelle, C., Davis, C. H., Hardy, A. L., & Hight, C. (2017). Fans, Blockbusterisation, and the Transformation of Cinematic Desire: Global Receptions of the Hobbit Film Trilogy. Palgrave Macmillan UK. doi:10.1057/978-1-137-59616-1

  • Michelle, C., Davis, C. H., Hardy, A. L., & Hight, C. (2017). Pleasure, disaffection, 'conversion' or rejection? The (limited) role of prefiguration in shaping audience engagement and response. International Journal of Cultural Studies, 20(1), 65-82. doi:10.1177/1367877915571407

  • Michelle, C., & Davis, C. (2017). Identification, transportation, and narrative storyworlds: Insights from The Hobbit Audience Project. In Canadian Communication Association (CCA) Annual Conference. Conference held at Ryerson University, Toronto, Ontario.

  • Michelle, C., Hardy, A., Hight, C., & Davis, C. H. (2016). A new approach to studying audiences: Mapping global receptions of The Hobbit film trilogy using Q methodology. In What is Media?: Experience, Exploration, Emergence. Conference held at University of Oregon, Portland.

  • Schmidt, J., Michelle, C., & Simon-Kumar, R. (2016). Editorial: Women's Studies Journal. Women's Studies Journal, 30(2), 3-5.

  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2016). Making global audiences for a Hollywood ‘blockbuster’ feature film: Marketability, playability and The Hobbit: An Unexpected Journey (2012). Journal of Fandom Studies, 4(1), 105-125.

  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2015). Making global audiences for a Hollywood ‘blockbuster’: marketability, playability, and The Hobbit: an Unexpected Journey (2012). In Proceedings of the 11th World Media Economics and Management Conference (pp. 794-821). Rio de Janiero, Brazil: Universidade do Estado do Rio de Janeiro.

  • Michelle, C., Hardy, A. L., Davis, C. H., & Hight, C. (2015). An unexpected controversy in Middle-earth: audience encounters with the ‘dark side’ of transnational film production. Transnational Cinemas, 6(1), 49-66. doi:10.1080/20403526.2014.941185

  • Michelle, C., Davis, C. H., Hight, C., & Hardy, A. L. (2015). The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film. Convergence: The International Journal of Research into New Media Technologies, 23(3), 229-250. doi:10.1177/1354856515584880

  • Michelle, C., Davis, C. H., & Vladica, F. (2015). Understanding variation in audience engagement and response: An application of the composite model to receptions of Avatar. In Z. Vukanovic, J. B. Lesourd, & S. Wildman (Eds.), Consumption and Branding Value Networks in New Media Markets (Vol. 1, pp. 245-280). Mediaxxi-Formalpress.

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