Research Publications for Isabelle A Delmotte

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Publications ByDELMOTTE, Isabelle A

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  • Delmotte, I. A. (2017). Losing sight of atmospheric sounds in televised nature documentary. The New Soundtrack, 7(1), 67-82. doi:10.3366/sound.2017.0097

  • Delmotte, I. A. (2017). The influences of sonic sensory awareness through the production and consumption of screened nature documentaries. Working Paper Series: Media, Film and Communication: Special Issue: Revisiting Audiences: Reception, Identity, Technology, 1-21. Retrieved from http://www.otago.ac.nz/

  • Delmotte, I. (2017). The electrical body: Falling on and off the screen. In The NECS 2017 Conference: Sensibility & the Senses: Media, Bodies, Practices. Conference held at Université Sorbonne Nouvelle, Paris.

  • Delmotte, I. A. (2016). Sight (in) audible (No. Of Pieces: 6 audio, 1 visual moving image, 1 script, soundtrack) [multi-media installation, audio, moving image and texts]. Creative Waikato, Hamilton, New Zealand. Retrieved from http://www.inaudible-visions.net/

  • Delmotte, I. (2016). On the inner-perceived sound objects. Writing Around Sound, 3, 3-10. Retrieved from https://soundcloud.com/auricle-recordings/isabelle-delmotte-out-of-within

  • Delmotte, I. (2016). Examining experiential unbalance and the fuzziness of nature in the Soundtracks of Televised Wildlife Documentaries. In Revisiting Audiences: Reception, Identity, Technology. Conference held at University of Otago, Dunedin, New Zealand.

  • Delmotte, I. (2015). Freeing the imagination: 'the best movie is the one in my head'. Studies in Australasian Cinema, 9(2), 171-186. doi:10.1080/17503175.2015.1060002

  • Delmotte, I. A. (2015). Lions don’t always play cello: Locating ‘nature’ in thesoundscapes ofpopular wildlife documentaries. In Sound and the Screen Symposium. Conference held at University of West London, London, England.

  • Delmotte, I. A. (2014). Sounding Out Frames (No. Of Pieces: Multi-media installation) [Multi media : audio/visuals/moving images/text]. Lismore, NSW, Australia. Retrieved from http://www.lismoregallery.org/

  • Delmotte, I. A. (2014). A digitisation of listening: edit > clip boundaries > detach as silences. In Second International Conference of The European Sound Studies Association (ESSA) 2014: Mapping the Field. Conference held at the University of Copenhagen, Denmark.

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