Research Publications for Isabelle A Delmotte
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Delmotte, I. A. (2017). Losing sight of atmospheric sounds in televised nature documentary. The New Soundtrack, 7(1), 67-82. doi:10.3366/sound.2017.0097
Delmotte, I. A. (2017). The influences of sonic sensory awareness through the production and consumption of screened nature documentaries. Working Paper Series: Media, Film and Communication: Special Issue: Revisiting Audiences: Reception, Identity, Technology, 1-21. Retrieved from http://www.otago.ac.nz/
Delmotte, I. (2017). The electrical body: Falling on and off the screen. In The NECS 2017 Conference: Sensibility & the Senses: Media, Bodies, Practices. Conference held at Université Sorbonne Nouvelle, Paris.
Delmotte, I. A. (2016). Sight (in) audible (No. Of Pieces: 6 audio, 1 visual moving image, 1 script, soundtrack) [multi-media installation, audio, moving image and texts]. Creative Waikato, Hamilton, New Zealand. Retrieved from http://www.inaudible-visions.net/
Delmotte, I. (2016). On the inner-perceived sound objects. Writing Around Sound, 3, 3-10. Retrieved from https://soundcloud.com/auricle-recordings/isabelle-delmotte-out-of-within
Delmotte, I. (2016). Examining experiential unbalance and the fuzziness of nature in the Soundtracks of Televised Wildlife Documentaries. In Revisiting Audiences: Reception, Identity, Technology. Conference held at University of Otago, Dunedin, New Zealand.
Delmotte, I. (2015). Freeing the imagination: 'the best movie is the one in my head'. Studies in Australasian Cinema, 9(2), 171-186. doi:10.1080/17503175.2015.1060002
Delmotte, I. A. (2015). Lions don’t always play cello: Locating ‘nature’ in thesoundscapes ofpopular wildlife documentaries. In Sound and the Screen Symposium. Conference held at University of West London, London, England.
Delmotte, I. A. (2014). Sounding Out Frames (No. Of Pieces: Multi-media installation) [Multi media : audio/visuals/moving images/text]. Lismore, NSW, Australia. Retrieved from http://www.lismoregallery.org/
Delmotte, I. A. (2014). A digitisation of listening: edit > clip boundaries > detach as silences. In Second International Conference of The European Sound Studies Association (ESSA) 2014: Mapping the Field. Conference held at the University of Copenhagen, Denmark.