Research Publications for Ian H Whalley
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Whalley, I. H. (2017). Integrating interdisciplinary work in contemporary non-linear real-time digital arts practice: Communication, sequence, frameworks, and logistics. In Electroacoustic Music Studies Network (EMS) 2017: Communication in/through Electroacoustic Music. Conference held at Nagoya, Japan.
Whalley, I. (2016). New Zealand electroacoustic music: Ruptures and digital networks. In New Zealand Musicological Society Annual Conference: Contemporary and Future Paths in Music Performance, Composition and Analysis. Conference held at University of Waikato, Hamilton, New Zealand.
Whalley, I. (2016). [Keynote] Broadening telematic electroacoustic music. In Australasian Computer Music Association (ACMC 2016): Sonic Environments. Conference held at Griffith University, Brisbane, Australia.
Whalley, I. (2016). Exploring internet environments in sound arts. In Proceedings of the Annual Conference of the Australasian Computer Music Association: Sonic Environments ACMC 2016 (pp. 106). Conference held at Griffith University, Brisbane, Australia: The Australasian Computer Music Association.
Whalley, I. (2015). Developing telematic electroacoustic music: Complex networks, machine intelligence and affective data stream sonification. Organised Sound (Special Issue 01: Organised Sound Celebrates 20 Years), 20(01), 90-98. doi:10.1017/S1355771814000478
Whalley, I. (2014). Recent telematic electroacoustic music: integrating external data streams. In eResearch NZ 2014. Conference held at University of Waikato, Hamilton, New Zealand.
Whalley, I. H. (2014). Broadening telematic electroacoustic music by affective rendering and embodied real-time data sonification. In A. Georgaki, & G. Kouroupetroglou (Eds.), Proceedings of the 40th International Computer Music Conference and 11th Sound and Music Computing Conference Vol. 1 (pp. 301-307). Conference held at Athens, Greece: National and Kapodistrian University of Athens.
Whalley, I. (2014). [Review of The Oxford Handbook of Computer Music by D. Roger (ed)]. Organised Sound: An International Journal of Music and Technology, 19(2), 203-207. doi:10.1017/S1355771814000144
Wyse, L., & Whalley, I. H. (2014). [Editors] Special Issue: Mediation: Notation and Communication in Electroacoustic Music Performance. Organised Sound, 19(03), 213-317. doi:10.1017/S1355771814000338
Whalley, I. H. (2014). DVD: SymbolAct (2012) – 10′08″. Organised Sound 19/3: Sound and movie examples [Telematic electroacoustic music]. 121212 6th Annual UpStage Festival of Cyberperformance. Christchurch, New Zealand; Wellington, New Zealand; Buenos Aires, Argentina; Oslo, Norway; Munich, Germany; Pancevo, Serbia;Montpellier, France; Eindhoven, Netherlands; Nantes, France; Holstebro, Denmark; Linz, Austria; Exeter, UK – recorded live 5–12 December 2012. Performers: Ian Whalley – wind synthesizer, iPads, foot controllers, synthesizer programming (Hamilton, New Zealand); Ivan Zavada – violin (Sydney, Australia): Cambridge University Press.