Research Publications for Lisa Perrott
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Perrott, L. (2017). Bowie the cultural alchemist: performing gender, synthesizing gesture and liberating identity. Continuum: Journal of Media and Cultural Studies, 31(4), 528-541. doi:10.1080/10304312.2017.1334380
Perrott, L. (2016). David Bowie's performing bodies: Intermediality, gestural migration and collaborative process in music video. In David Bowie Interart|text|media Conference. Conference held at Lisbon, Portugal.
Perrott, L., Rogers, H., & Vernallis, C. (2016). Beyonce's Lemonade: She dreams in both worlds. Film International, 8 pages.
Perrott, L. (2015). Music video's performing bodies: Floria Sigismondi as gestural animator and puppeteer. Animation: An Interdisciplinary Journal, 10(2), 119-140. doi:10.1177/1746847715593697
Perrott, L. (2015). The transgressive performativity of David Bowie: from Boys Keep Swinging to The Stars are Out Tonight. In The Stardom and Celebrity of David Bowie Symposium. Conference held at Australian Centre for Moving Image (ACMI), Melbourne, Australia.
Perrott, L. (2015). Bowie and gender transgression - What a drag. The Conversation Media Group. Retrieved from https://theconversation.com/bowie-and-gendertransgression-what-a-drag-44569
Perrott, L. (2013). Issues in animation education. In Animation Revelations. Conference held at Auckland Art Gallery Auditorium, AUT University, Auckland, New Zealand.
Perrott, L. (2013). Zig Zag: Reanimating Len Lye as improvised theatrical performance and immersive visual music. In J. Richardson, C. Gorbman, & C. Vernallis (Eds.), The Oxford Handbook of New Audiovisual Aesthetics (pp. 233-248). New York: Oxford University Press.
Perrott, L. (2011). Handmade Pixels: Exposing the Animation Process [Curator]. Calder & Lawson Gallery.
Perrott, L. (2011). Handmade Pixels: Animating Time-Space [Curator of short films for public screening]. Lido Cinema, Hamilton.