Research Publications for Gareth R Schott

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Publications BySCHOTT, Gareth R

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  • Schott, G. (2022). Death to disposal: Echoes of American Psycho in The Rainbow of Her Reasons (Six Feet Under). In K. Barrett (Ed.), ReFocus: The Films of Mary Harron (pp. 125-140). Edinburgh: Edinburgh University Press.

  • Redder, B., & Schott, G. (2022). Rats, plagues, and children, Oh My! Multimodal representations of the past in historical games. Video Journal of Education and Pedagogy, 1-21. Retrieved from

  • Srinivasan, S., & Schott, G. (2022). Envisioning New Virtual Spaces for Performance and Theatre artists. In 13th International Multi-Conference on Complexity, Informatics and Cybernetics, Proceedings Vol. 1 (pp. 175-180). doi:10.54808/IMCIC2022.01.175

  • Schott, G., & Redder, B. (2021). How to survive a plague of flesh-eating rats: an introductory guide to studying remediated ‎gameplay imaginations of medieval folklore and beliefs in a plague tale: innocence. In The Middle Ages in Modern Games Conference #MAMG21. University of Winchester, UK [Virtual].

  • Schott, G., Weaver, C. K., & Nasir, O. (2021). News of domestic violence: Journalistic imperatives in television news reporting of domestic violence. In 71st International Communication Association Conference, 2021. (Virtual).

  • Redder, B., & Schott, G. (2021). Rats, plagues and children, oh my! Multimodal pedagogical representation of the past in historical ‎games. In Association of Visual Pedagogies, Digital Conference 2021, Exploring the Visual Worlds of Education in Context of Crises and New Spaces of Opportunities. Western Norway University of Applied Sciences (HVL), in Bergen, Norway [Virtual].

  • Schott, G. (2021). All Of My Life, Just Like I Was One of Them: Transitioning Punk. In Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music (pp. 205-231). Switzerland: Springer Nature. doi:10.1007/978-3-030-65189-3_12

  • Barbour, K., Burgstaller, H., Claus, J., Cohen, E., Gray, E., Park, S. -R., . . . Waititi, C. (2021). Morphing Moments [Composition]. Hamilton, New Zealand: Waikato Contemporary Dance Projects Trust. Retrieved from

  • Schott, G. (2021). ‘I know death. He’s got many faces:’ The presence of death in young peoples’ media. Mortality, 26(4), 367-375. doi:10.1080/13576275.2021.1987669

  • Schott, G., & Munn, N. (2021). Invasive gaming, bio-sensing and digital labour in Playtest. In M. Gibson, & C. Carden (Eds.), The Moral Uncanny in Black Mirror (pp. 121-140). Palgrave Macmillan. doi:10.1007/978-3-030-47495-9_7

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