Research Publications for Gareth R Schott

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Author's Publications

Publications BySCHOTT, Gareth R

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  • Schott, G., & Redder, B. (2021). How to survive a plague of flesh-eating rats: an introductory guide to studying remediated ‎gameplay imaginations of medieval folklore and beliefs in a plague tale: innocence. In The Middle Ages in Modern Games Conference #MAMG21. University of Winchester, UK [Virtual].

  • Schott, G., Weaver, C. K., & Nasir, O. (2021). News of domestic violence: Journalistic imperatives in television news reporting of domestic violence. In 71st International Communication Association Conference, 2021. (Virtual).

  • Redder, B., & Schott, G. (2021). Rats, plagues and children, oh my! Multimodal pedagogical representation of the past in historical ‎games. In Association of Visual Pedagogies, Digital Conference 2021, Exploring the Visual Worlds of Education in Context of Crises and New Spaces of Opportunities. Western Norway University of Applied Sciences (HVL), in Bergen, Norway [Virtual].

  • Barbour, K., Burgstaller, H., Claus, J., Cohen, E., Gray, E., Park, S. -R., . . . Waititi, C. (2021). Morphing Moments [Composition]. Hamilton, New Zealand: Waikato Contemporary Dance Projects Trust. Retrieved from

  • Schott, G., & Munn, N. (2021). Invasive gaming, bio-sensing and digital labour in Playtest. In M. Gibson, & C. Carden (Eds.), The Moral Uncanny in Black Mirror (pp. 121-140). Palgrave Macmillan. doi:10.1007/978-3-030-47495-9_7

  • Schott, G. (2021). All Of My Life, Just Like I Was One of Them: Transitioning Punk. In Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music (pp. 205-231). Switzerland: Springer Nature. doi:10.1007/978-3-030-65189-3_12

  • Schott, G., & Barbour, K. (2020). Filmic Resonance and Dispersed Authorship in Sigur Ros's Transmedial Valtari Mystery Film Experiment. In C. Vernallis, H. Rogers, & L. Perrott (Eds.), Transmedia Directors: Artistry, industry and new audiovisual aesthetics (pp. 195-221). New York: Bloomsbury.

  • Schott, G. (2020). Physical death, digital life, and post-self: That dragon, cancer as a digital memorial. Journal of Games, Self, & Society, 2(1), 85-103.

  • Srinivasan, S., & Schott, G. (2020). Virtual Teleportation of a Theatre Audience Onto the Stage: VR as an Assistive Technology. In Advances in Intelligent Systems and Computing Vol. 1129 AISC (pp. 477-487). doi:10.1007/978-3-030-39445-5_36

  • Schott, G. (2020). “Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs. European Journal of English Studies, 24(1), 37-51. doi:10.1080/13825577.2020.1730048

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