Research Publications for Isabelle A Delmotte

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Publications ByDELMOTTE, Isabelle A

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  • Delmotte, I. (2016). On the inner-perceived sound objects. Writing Around Sound, 3, 3-10. Retrieved from

  • Delmotte, I. (2015). Freeing the imagination: 'the best movie is the one in my head'. Studies in Australasian Cinema, 9(2), 171-186. doi:10.1080/17503175.2015.1060002

  • Delmotte, I. A. (2015). Lions don’t always play cello: Locating ‘nature’ in thesoundscapes ofpopular wildlife documentaries. In Sound and the Screen Symposium. Conference held at University of West London, London, England.

  • Delmotte, I. A. (2014). Sounding Out Frames (No. Of Pieces: Multi-media installation) [Multi media : audio/visuals/moving images/text]. Lismore, NSW, Australia. Retrieved from

  • Delmotte, I. A. (2014). Tuned in and hands on: Sound designers beyond technical expertise. Journal of Sonic Studies, 6(1), 1-12. Retrieved from

  • Delmotte, I. A. (2014). A digitisation of listening: edit > clip boundaries > detach as silences. In Second International Conference of The European Sound Studies Association (ESSA) 2014: Mapping the Field. Conference held at the University of Copenhagen, Denmark.

  • Delmotte, I. A. (2013). ‘Inaudible Visions, Oscillating Silences’ (No. Of Pieces: installation) [Designer and Curator of Multi media : audio/printed visuals/moving images/text/screen printing]. Ballina, NSW, Australia. Retrieved from

  • Delmotte, I. A. (2013). 'Insounds’: human sonic permeability and the practice of cinema sound design within ecologies of silences. (PhD Thesis, Southern Cross University, Lismore, NSW). Retrieved from

  • Delmotte, I. A. (2013). Freeing the imagination: 'the best movie is the one in my head'. In Australian Screen Production Education & Research Association Annual Conference (ASPERA) 2013: 'Back to the Future: re-­‐framing new & old screen production practices'. Conference held At Swinburne University, Deakin University, and RMIT University, Melbourne, Australia.

  • Delmotte, I. A. (2013). Thoughts on cinematic silences and visual narratives. Retrieved from

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