Research Publications for Isabelle A Delmotte

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Publications ByDELMOTTE, Isabelle A

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  • Delmotte, I. A. (2013). ‘Inaudible Visions, Oscillating Silences’ (No. Of Pieces: installation) [Designer and Curator of Multi media : audio/printed visuals/moving images/text/screen printing]. Ballina, NSW, Australia. Retrieved from

  • Delmotte, I. A. (2011). Environmental silence and its renditions in a movie soundtrack. AJE: Australasian Journal of Ecocriticism and Cultural Ecology, 1, 58-67.

  • Delmotte, I. A. (2011). Living in sound but listening to the screen: Sensory gaps, narrative expectations and sonic creation in cinema sound design. In European Network for Cinema and Media Studies: Sonic Futures: Soundscapes and the Languages of Screen Media. Conference held at King's College, London.

  • Delmotte, I. (2003). Personal Statement: Isabelle Delmotte. In S. C. Schachter (Ed.), Visions: Artists Living with Epilepsy (pp. 18-20). Academic Press.

  • Delmotte, I. (1997). Epileptograph: The internal journey. In R. Ascott (Ed.), Proceedings of the First International CAiiA Research Conference: Consciousness Reframed: art and consciousness in the post-biological era (pp. 1-4). Conference held at University of Wales College, Newport: University of Wales College, Newport.

  • Delmotte, I. A. (1997). Work-in-progress - epileptograph: The internal journey. Metro Magazine: Media & Education Magazine, (112), 60-62.

  • Delmotte, I. A. (1995). Epileptograph: the Internal Journey. (Master's Thesis, University of New South Wales, Sydney).

  • Delmotte, I. A. (1995). Epileptograph: The internal journey. (pp. 22 pages). Artspace, Australia. Retrieved from

  • Delmotte, I. (1995). Epileptograph: the internal journey. In Acte Proceedings on the 6th International Symposium on Electronic Art (ISEA95) (pp. 65-68). Conference held at Montreal, Canada. Retrieved from

  • Delmotte, I. (1995). On EPILEPTOGRAPH: the internal journey. In E. Ashburn (Ed.), Conference Papers 1994: Intersections of Art, Technology, Science and Design (pp. 25-29). Conference held at University of New South Wales, Australia: College of Fine Arts, UNSW.

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