Research Publications for Ian H Whalley
Welcome to the University of Waikato research publications search page. This database includes all research publications produced by the University from 1998.
Use our Online Phonebook to contact our current staff members.
Whalley, I. H. (2017). Integrating interdisciplinary work in contemporary non-linear real-time digital arts practice: Communication, sequence, frameworks, and logistics. In Electroacoustic Music Studies Network (EMS) 2017: Communication in/through Electroacoustic Music. Conference held at Nagoya, Japan.
Whalley, I. (2016). [Keynote] Broadening telematic electroacoustic music. In Australasian Computer Music Association (ACMC 2016): Sonic Environments. Conference held at Griffith University, Brisbane, Australia.
Whalley, I. (2016). Exploring internet environments in sound arts. In Proceedings of the Annual Conference of the Australasian Computer Music Association: Sonic Environments ACMC 2016 (pp. 106). Conference held at Griffith University, Brisbane, Australia: The Australasian Computer Music Association.
Whalley, I. (2016). New Zealand electroacoustic music: Ruptures and digital networks. In New Zealand Musicological Society Annual Conference: Contemporary and Future Paths in Music Performance, Composition and Analysis. Conference held at University of Waikato, Hamilton, New Zealand.
Whalley, I. (2015). Developing telematic electroacoustic music: Complex networks, machine intelligence and affective data stream sonification. Organised Sound (Special Issue 01: Organised Sound Celebrates 20 Years), 20(01), 90-98. doi:10.1017/S1355771814000478
Whalley, I. (2014). Recent telematic electroacoustic music: integrating external data streams. In eResearch NZ 2014. Conference held at University of Waikato, Hamilton, New Zealand.
Whalley, I. (2014). [Review of The Oxford Handbook of Computer Music by D. Roger (ed)]. Organised Sound: An International Journal of Music and Technology, 19(2), 203-207. doi:10.1017/S1355771814000144
Wyse, L., & Whalley, I. (2014). Editorial. Organised Sound, 19(03), 213-214. doi:10.1017/S1355771814000193
Whalley, I. H. (2014). DVD: SymbolAct (2012) – 10′08″. Organised Sound 19/3: Sound and movie examples [Telematic electroacoustic music]. 121212 6th Annual UpStage Festival of Cyberperformance. Christchurch, New Zealand; Wellington, New Zealand; Buenos Aires, Argentina; Oslo, Norway; Munich, Germany; Pancevo, Serbia;Montpellier, France; Eindhoven, Netherlands; Nantes, France; Holstebro, Denmark; Linz, Austria; Exeter, UK – recorded live 5–12 December 2012. Performers: Ian Whalley – wind synthesizer, iPads, foot controllers, synthesizer programming (Hamilton, New Zealand); Ivan Zavada – violin (Sydney, Australia): Cambridge University Press.
Whalley, I. (2014). GNMISS: A scoring system for Internet2 electroacoustic music. Organised Sound, 19(03), 244-259. doi:10.1017/S1355771814000235