Research Publications for Isabelle A Delmotte

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Publications ByDELMOTTE, Isabelle A

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  • Delmotte, I. (2020). The Interculturalist. Soundtrack (15mins). Part Two of the play 'Adventures in Failures' by Declan Patrick [Theatre]. Playhouse Theatre, Gallagher Academy of the Performing Arts, Hamilton, New Zealand. Retrieved from

  • Delmotte, I. (2019). Phenomenological imagination, ethics, and empathy: The case of epilepsy. Cinema : Journal of Philosophy and the Moving Image, (11), 79-96.

  • Delmotte, I. (2019). From feeling vibrations to building audiovisual scenes: The perceptual practice ‎of storytelling with sound. In M. Filimowicz (Ed.), Foundations in Sound Design for Linear Media: A Multidisciplinary Approach (1st ed.). NY: Routledge.

  • Delmotte, I. (2019). Neurological choreography: the case of epilepsy. In CSAA Conference 2019: Cultural Transformations. Conference held University of Queensland, Brisbane, Australia.

  • Delmotte, I. (2018). Audio and visual representations of neurological impairments: The case of epilepsy in movies. In 7th European Communication Conference: Centres and Peripheries: Communication, Research, Translation. Conference held in Lugano, Switzerland.

  • Delmotte, I. (2017). Epilepsy awareness and media professionals. In Epilepsy Awareness Month (Epilepsy Association of New Zealand), Hamilton, New Zealand.

  • Delmotte, I. (2017). The electrical body: Falling on and off the screen. In The NECS 2017 Conference: Sensibility & the Senses: Media, Bodies, Practices. Conference held at Université Sorbonne Nouvelle, Paris.

  • Delmotte, I. A. (2017). The influences of sonic sensory awareness through the production and consumption of screened nature documentaries. Working Paper Series: Media, Film and Communication: Special Issue: Revisiting Audiences: Reception, Identity, Technology, 1-21. Retrieved from

  • Delmotte, I. A. (2017). Losing sight of atmospheric sounds in televised nature documentary. The New Soundtrack, 7(1), 67-82. doi:10.3366/sound.2017.0097

  • Delmotte, I. (2016). Examining experiential unbalance and the fuzziness of nature in the Soundtracks of Televised Wildlife Documentaries. In Revisiting Audiences: Reception, Identity, Technology. Conference held at University of Otago, Dunedin, New Zealand.

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