Research Publications for Gareth R Schott
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Schott, G. (2020). “Delicate, petite & other things I’ll never be”: trans-punk anthems and love songs. European Journal of English Studies, 24(1), 37-51. doi:10.1080/13825577.2020.1730048
Srinivasan, S., & Schott, G. (2020). Virtual Teleportation of a Theatre Audience Onto the Stage: VR as an Assistive Technology. In Advances in Intelligent Systems and Computing Vol. 1129 AISC (pp. 477-487). doi:10.1007/978-3-030-39445-5_36
Schott, G., & Barbour, K. (2020). Filmic Resonance and Dispersed Authorship in Sigur Ros's Transmedial Valtari Mystery Film Experiment. In C. Vernallis, H. Rogers, & L. Perrott (Eds.), Transmedia Directors: Artistry, industry and new audiovisual aesthetics (pp. 195-221). New York: Bloomsbury.
Schott, G. (2020). Physical death, digital life, and post-self: That dragon, cancer as a digital memorial. Journal of Games, Self, & Society, 2(1), 85-103.
Schott, G. (2019). ‘Look up here, I’m in heaven’: how visual and performance artist David Jones called attention to his physical death. In A. Mendes, & L. Perrott (Eds.), David Bowie and Transmedia Stardom. London: Routledge.
Schott, G. (2019). 'Look Up Here, I'm in Heaven': How visual and performance artist David Jones called attention to his physical death. Celebrity Studies, 10(1), 140-152. doi:10.1080/19392397.2018.1559126
Leinan-Hermo, S., Barbour, K., Hermo Jensen, M., & Schott, G. (2018). Bird (Russian screenings). County Culture Palace, Murmansk, Russia , The Artistic residence Vtoraja Shkola, Nikel, Russia: Stellaris DansTeater, Norway and Waikato Contemporary Dance Projects Trust.
Schott, G. (2018). What or who is behind rapture? Experimentation, social engineering, and bio-hacking in Bioshock 2. In F. Parker, & J. Aldred (Eds.), Beyond the Sea: Navigating Bioshock (3rd ed., pp. 223-240). McGill-Queen's Press - MQUP.
Schott, G., & Redder, B. (2018). Presence at history: Toward an expression of authentic historical content as game rules and play. In DiGRA '18 - Proceedings of the 2018 DiGRA International Conference: The Game is the Message (pp. 1-11). Conference held at University of Turin, Italy. Retrieved from http://www.digra.org/
Schott, G. (2018). The use of the dead to the living: Gothic surgical horror in Six Feet Under. Aeternum: The Journal of Contemporary Gothic Studies, 5(2), 14-26.