Dr Ann Hardy
Qualifications: MA Cant; Dip Journ. Dip. Film & TV Production Middlesex; PhD Waikato
Ann's professional experience includes work as a radio and television journalist and as a video producer in private and state sector production units. From the mid 1980s this commercial work was combined with tutoring at Film and Theatre Studies at Victoria University, Wellington, and at this time she also began writing a series of articles on New Zealand women's filmmaking for the magazine Illusions.
Ann now teaches in Screen and Media Studies at Waikato University, Hamilton where her specialisations include: Aotearoa/New Zealand screen, narrative theory, scriptwriting and communications theory. Ann's doctoral research was into the constructions of religion and spirituality understood and employed by workers in the local film and television industries. This project prompted her to develop, in 2002, New Zealand's first university course devoted to the intersections of religion and the media; a field she has continued to explore in a number of publications.
PhD projects being supervised by Ann include Kim Ju Hee’s project on film co-productions between South Korea and New Zealand and Arezou Zalipour’s project on diasporic Asain filmmaking in New Zealand (both supervised with Geoff Lealand).
Ann’s current activities include research into the development of the pre-colonial celebration of the rising of the constellation Matariki into a contemporary festival addressing all New Zealanders. This project stems from her interest in the place of Maori spiritual concepts in the national imaginary. She is also a member of the Audience Research team undertaking an online Q-method study of international responses to The Hobbit: An Unexpected Journey.
Zalipour, A., & Hardy, A. (2019). Tusi Tamasese. In A. Zalipour (Ed.), Migrant and Diasporic Film and Filmmaking in New Zealand (pp. 171-183). Singapore: Springer. doi:10.1007/978-981-13-1379-0_10
Hardy, A. (2019). Looking inwards, looking back: Tusi Tamasese and Samoan cultural production in New Zealand. In A. Zalipour (Ed.), Migrant and Diasporic Film and Filmmaking in New Zealand (pp. 105-121). Singapore: Springer. doi:10.1007/978-981-13-1379-0_6
Hardy, A. (2018). The star-cloak covers all: Māori cosmology and spirituality as a public resource in contemporary Aotearoa. In 2018 Symposium on Faith and Society. Conference held at the University of Waikato, Hamilton, New Zealand.
Hardy, A., & Whaanga, H. (2018). Using the stars to indigenize the public sphere: Matariki over New Zealand. In The Impact of Religion Challenges for Society, Law and Democracy. Conference held at Uppsala University, Sweden.
Find more research publications by Ann Hardy
Screen and Media
Media and religion; New Zealand film and television; communication theory; scriptwriting.
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