Breadcrumbs

Audience Research Unit

Publications

Isabelle Delmotte

  • Delmotte, I. A. (2015). Freeing the imagination: ‘The best movie is the one in my head’. Studies in Australasian Cinema, 9(2), 171-186. doi:10.1080/17503175.2015.1060002
  • Delmotte, I. A. (2014). Tuned in and hands on: Sound designers beyond technical expertise. Journal of Sonic Studies, 6(1), 1-12. Retrieved from http://journal.sonicstudies.org/vol06/ nr01/a06

Ann Hardy

  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2016). Making global audiences for a Hollywood ‘blockbuster’ feature film: Marketability, playability and The Hobbit:  An Unexpected Journey (2012). Journal of Fandom Studies, 4(1), 105-125.
  • Michelle, C., Davis, C. H., Hardy, A. L., & Hight, C. (2015). Pleasure, disaffection, 'conversion' or rejection? The (limited) role of prefiguration in shaping audience engagement and response. International Journal of Cultural Studies, 18 pages. doi:10.1177/1367877915571407
  • Michelle, C., Davis, C. H., Hight, C., & Hardy, A. L. (2015). The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film. Convergence: The International Journal of Research into New Media Technologies, 1-22. doi:10.1177/1354856515584880
  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2014). Framing audience prefigurations of The Hobbit: An Unexpected Journey: The roles of fandom, politics and idealised intertexts. Participations: Journal of Audience & Reception Studies, 11(1), 50-87. Retrieved from http://www.participations.org/Volume%2011/Issue%201/4.pdf
  • Michelle, C., Hardy, A. L., Davis, C. H., & Hight, C. (2014). An unexpected controversy in Middle-earth: audience encounters with the ‘dark side’ of transnational film production. Transnational Cinemas, 1-18. doi:10.1080/20403526.2014.941185
  • Zalipour, A., Michelle, C., & Hardy, A. (2014). Modes of engagement among diasporic audiences of Asian New Zealand film. The Communication Review, 17(4), 311-335. doi:10.1080/10714421.2014.960735
  • Hardy, A., Hight, C., & Michelle, C. (2011). Reservoir Hill and audiences for online interactive drama. Participations: Journal of Audience & Reception Studies, 8(2), 616-643. Retrieved from http://www.participations.org/editorial_board.htm
  • Hardy, A., Michelle, C., Davis, C. H., & Hight, C. (2013). Shire Politics: Local factors in the international prefiguration of Peter Jackson's The Hobbit. In A. P. T. Lee, D. K. Trees, & M. R. Desai (Eds.), Refereed Proceedings of the Australian and New Zealand Communication Association conference: Global Networks-Global Divides: Bridging New and Traditional Communication Challenges (pp. 1-15). Conference held at Freemantle, Western Australia: Australian and New Zealand Communication Association.

Geoff Lealand

  • Lealand, Geoff (2016). ‘Why do teachers keep using American films when ours are so good?’ The Use of New Zealand Screen Content in New Zealand Schools. Wellington: New Zealand On Air.
  • Lealand, G. (2016). Ratings. In G. Ritzer (Ed.), The Wiley Blackwell encyclopedia of sociology (2nd ed). London: Wiley Blackwell.
  • Haniss, G., Hollings, J., Pajo. K & Lealand, G. (November 2014). Survey of New Zealand Journalists. Ejournalist.co.au.
  • Lealand, G. (2013). A nation of film-goers: Audiences, exhibition and distribution in New Zealand, in Aveyard, K & Moran, A. (Eds.). Watching films: New perspectives on movie-going, exhibition and reception. Bristol: Intellect.
  • Lealand, G. (2012). What anniversary? New Zealand “celebrates” fifty years of television. In K. Darian-Smith & S. Turnbull (Eds.), Remembering television: Histories, technologies, memories. Newcastle upon Tyne: Cambridge Scholars.

Carolyn Michelle

  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2016). Making global audiences for a Hollywood ‘blockbuster’ feature film: Marketability, playability and The Hobbit:  An Unexpected Journey (2012). Journal of Fandom Studies, 4(1), 105-125.
  • Michelle, C., Davis, C. H., Hardy, A. L., & Hight, C. (2015). Pleasure, disaffection, 'conversion' or rejection? The (limited) role of prefiguration in shaping audience engagement and response. International Journal of Cultural Studies, 18 pages. doi:10.1177/1367877915571407
  • Michelle, C., Davis, C. H., Hight, C., & Hardy, A. L. (2015). The Hobbit hyperreality paradox: Polarization among audiences for a 3D high frame rate film. Convergence: The International Journal of Research into New Media Technologies, 1-22. doi:10.1177/1354856515584880
  • Michelle, C., & Davis, C. H. (2014). Beyond the qualitative / quantitative "divide": Reflections on the utility and challenges of Q methodology for media researchers. In F. Darling Wolf (Ed.), The International Encyclopedia of Media Studies: Research Methods in Media Studies (pp. 112-134). Wiley-Blackwell.
  • Davis, C. H., Michelle, C., Hardy, A., & Hight, C. (2014). Framing audience prefigurations of The Hobbit: An Unexpected Journey: The roles of fandom, politics and idealised intertexts. Participations: Journal of Audience & Reception Studies, 11(1), 50-87. Retrieved from http://www.participations.org/Volume%2011/Issue%201/4.pdf
  • Michelle, C., Hardy, A. L., Davis, C. H., & Hight, C. (2014). An unexpected controversy in Middle-earth: audience encounters with the ‘dark side’ of transnational film production. Transnational Cinemas, 1-18. doi:10.1080/20403526.2014.941185
  • Zalipour, A., Michelle, C., & Hardy, A. (2014). Modes of engagement among diasporic audiences of Asian New Zealand film. The Communication Review, 17(4), 311-335. doi:10.1080/10714421.2014.960735
  • Michelle, C., Davis, C. H., & Vladica, F. (2012). Understanding variation in audience engagement and response: An application of the composite model to receptions of Avatar (2009). The Communication Review, 15(2), 106-143. doi:10.1080/10714421.2012.674467
  • Davis, C. H., & Michelle, C. (2011). Q Methodology in audience research: Bridging the qualitative/quantitative 'divide'? Participations: Journal of Audience & Reception Studies, 8(2), 559-593. Retrieved from http://www.participations.org/editorial_board.htm%20%20***details%20of%20where%20journal%20is%20produced
  • Hardy, A., Hight, C., & Michelle, C. (2011). Reservoir Hill and audiences for online interactive drama. Participations: Journal of Audience & Reception Studies, 8(2), 616-643. Retrieved from http://www.participations.org/editorial_board.htm

Lisa Perrott

  • Perrott, Lisa (forthcoming - 2017). Bowie the Cultural Alchemist: performing gender, synthesising gesture and liberating identity. Intersecting David Bowie, special issue of Continuum: Journal of Media and Cultural Studies.
  • Perrott, Lisa (2007). The New Zealand Wars documentary series: discursive struggle and cultural memory. (PhD Thesis, University of Waikato). http://adt.waikato.ac.nz/
  • Perrott, Lisa (2005). The New Zealand Wars: Opening a space for remembrance. In CSAA Annual Conference: Figuring the Pacific: Aotearoa & Pacific Cultural Studies, http://www.unireps.com.au/isbn/1877257389.htm (pp. 53-62). Christchurch, Edited Conference Proceedings: Dunmore Press.
  • Perrott, Lisa (2003). The New Zealand Wars: Documentary as a site for the transmission of cultural memory. In CSAA Annual Conference - Culture Incorporated: Bodies, Technologies, Habitats. Conference held at Arts Centre, Christchurch, Aotearoa/New Zealand.
  • Perrott, Lisa (2002). Rethinking the documentary audience: Reimagining 'The New Zealand Wars'. Media International Australia Incorporating Culture and Policy: Quarterly Journal of Media Research and Resources, 0(104), 67-79.
  • Perrott, Lisa (2001). The Ghost of the New Zealand Wars: Awakened to Haunt the Nation. In Visible Evidence - 9th Conference. Conference held at Brisbane.

Arezou Zalipour

  • Zalipour, A. (2015). Emerging Asian New Zealand filmmakers in New Zealand cinema. In B. Goldsmith, M. Ryan & G. Lealand (Eds.), Directory of World Cinema: Australia and New Zealand 2 (pp. 311-319). Bristol, UK: Intellect.
  • Zalipour, A., Michelle, C., & Hardy, A. (2014). Modes of engagement among diasporic audiences of Asian New Zealand film. The Communication Review, 17(4), 311-335. doi:10.1080/10714421.2014.960735
  • Zalipour, A.& Athique, A. (2016). Diasporic films and the migrant experience in New Zealand:  A case study in social imagination. International Journal of Cultural Studies, 19(4), 425-440. doi: 10.1177/1367877914553725
  • Zalipour, A.& Hardy, A. (2016). Women, religion and food: Indian diasporic film in New Zealand. Women’s Studies: An Interdisciplinary Journal, 45 (8), 775-789. doi: 10.1080/00497878.2016.1232026
  • Zalipour, A.(2016). The Interstitial and collective modes of film production in New Zealand: A case study in Asian diasporic films. Transnational Cinemas, 7(1), 96-110. doi: 10.1080/20403526.2016.1111670
  • Zalipour, A. (2016). Integrating through Screen: The Muslim Diaspora in New Zealand. In E. Kolig and M. Voyce (Eds.), Muslim Integration: Pluralism and Multiculturalism in New Zealand and Australia (pp. 129-147). London, UK: Lexington Books.